| LB | Date | Location | CDR | Rating | Description |
| LB-6838 | xx/xx/93 | Live in 93 | 1 | | BOOTLEG: Exclusive Series '93; cd > ultraplex > |
| LB-6839 | xx/xx/93 | Various | 1 | | BOOTLEG: Lucky 13; cd > ultraplex > eac > wav > |
| LB-0098 | 1/17/93 | Blue Jeans Bash | 1 | | sbd, very good sound (Bob only has lead vocals on |
| LB-6840 | 2/xx/93 | London - Hammersmith | 2 | | BOOTLEG: Hammersmith Highlights; cd > ultraplex > |
| LB-2343 | 2/5/93 | The Point Depot | 2 | B- | another in the Righteous To Me Series, review by |
| LB-6964 | 2/5/93 | Dublin, Ireland | 2 | B- | jtt; "Pre Board ?", Bob Dylan, The Point Depot, |
| LB-1343 | 2/7/93 | London Hammersmith | 2 | A- | Legendary Tapers Series #2, (Taper: LTB), |
| LB-2325 | 2/7/93 | London | 1 | B- | from the Box Set Righteous to Me 1993 Preboards; |
| LB-3245 | 2/7/93 | Hammersmith Odeon | 2 | | JTT; GENUINE, Previously Uncirculated (Other Than |
| LB-4216 | 2/7/93 | London | 2 | | version "c"; Probably an LTB recording, but may be |
| LB-5882 | 2/7/93 | London, England | 2 | A- | LTA; cut before encore, legendary taper A, ?? -> |
| LB-6967 | 2/7/93 | London | 1 | B | LTA remaster; Soundboard, Source:, "Righteous to |
| LB-1550 | 2/8/93 | Hammersmith, London | 2 | B | An off-master of a recording by Legendary Taper B. |
| LB-3189 | 2/8/93 | London | 2 | | version "a"; Source: Audience recording, File |
| LB-5884 | 2/8/93 | London | 2 | A | LTA; cut before Everything Is Broken, legendary |
| LB-6841 | 2/8/93 | London - Hammersmith | 2 | B+ | BOOTLEG: Apollo Landing; cd > ultraplex > eac > |
| LB-6842 | 2/8/93 | London - Hammersmith | 2 | A- | BOOTLEG: The Illusion of Time; cd > ultraplex > |
| LB-1463 | 2/9/93 | London | 2 | A | Legendary Tapers Series #6, Off-master copy of a |
| LB-2359 | 2/9/93 | London | 2 | B+ | sbd; incomplete ; (another similar verison of this |
| LB-2779 | 2/9/93 | Apollo, London | 2 | B | BOOTLEG: Just Like Zimmerman; from silver bootleg |
| LB-5545 | 2/9/93 | London | 2 | B | "Uncirculated JTT Master" Incomplete, Incomplete |
| LB-5895 | 2/9/93 | London, England | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
| LB-2327 | 2/11/93 | London | 2 | C | sbd; levels low at first on d1t1, missing last 3 |
| LB-3212 | 2/11/93 | Hammersmith Odeon | 2 | B- | JTT;, GENUINE, Previously Uncirculated (Other Than |
| LB-4364 | 2/11/93 | London | 2 | B- | JTT version "a"; "New Transfer from Master", |
| LB-5462 | 2/11/93 | Hammersmith Odeon | 2 | B+ | Taper: Glen Dundas, Source: GD master > audio |
| LB-5855 | 2/11/93 | London | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
| LB-5858 | 2/11/93 | London | 2 | A- | BOOTLEG: If Not For You; cd > ultraplex > eac > |
| LB-2337 | 2/12/93 | London | 2 | A- | sbd; incomplete; d1t1 too loud at first but comes |
| LB-4228 | 2/12/93 | London | 2 | B | Recorded by JTT, Mastered & Artwork by JTT, |
| LB-5923 | 2/12/93 | London | 2 | A- | LTA; cut before encore, legendary taper A, ?? -> |
| LB-6843 | 2/12/93 | Hammersmith | 2 | | BOOTLEG: Fifth Time Around; cd > ultraplex > eac > |
| LB-2319 | 2/13/93 | Hammersmith Apollo | 2 | B | From the Box Set :, Righteous To Me - 1993, |
| LB-3265 | 2/13/93 | London | 2 | B- | JTT; GENUINE, Previously Uncirculated (Other Than |
| LB-4367 | 2/13/93 | London | 2 | B | JTT version "a"; "New Transfer from Master", |
| LB-5981 | 2/13/93 | London, England | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
| LB-2336 | 2/15/93 | Utrecht | 2 | A- | sbd; some occasional harshness at beginning and |
| LB-2390 | 2/15/93 | Vredenburg | 2 | | version "a"; discs from bobzilla, review by |
| LB-2483 | 2/15/93 | Utrecht | 2 | | 1993 Preboard (RTM), Remaster from Pink Robert: "I |
| LB-5321 | 2/15/93 | Utrecht. | 2 | B+ | BOOTLEG: Moving On To Holland; (soundboard), |
| LB-5947 | 2/15/93 | Utrecht | 2 | A- | LTJ; cut before encore, legendary taper J, |
| LB-8123 | 2/15/93 | Utrecht, Netherlands | 2 | B+ | BOOTLEG: Moving On To Holland; version "e"; |
| LB-2338 | 2/16/93 | Utrecht | 2 | A- | sbd; volume comes up on d2t9, d2t10 and |
| LB-6011 | 2/16/93 | Utrecht (Holland) | 2 | C | version "a"; Taped with a sony dat recorder type |
| LB-6019 | 2/16/93 | Utrecht | 2 | B+ | LTJ; cut before encore, few seconds of Highway 61 |
| LB-6844 | 2/16/93 | Utrecht, Holland | 2 | B | BOOTLEG: Shadows in the Sound; cd > ultraplex > |
| LB-2342 | 2/17/93 | EindHoven | 2 | B | Preboard, Another from the "Righteous To Me" box. |
| LB-2388 | 2/17/93 | EindHoven | 2 | B | sbd; has levels about twice the previous version; |
| LB-7034 | 2/17/93 | Eindhoven | 2 | A- | version "b"; aud; ?? -> portable DATrecorder - |
| LB-8361 | 2/17/93 | Eindhoven (NL) | 2 | B+ | BOOTLEG: The Never Ending TOUr; Manufacturer: Take |
| LB-2322 | 2/18/93 | Hannover | 2 | A- | from the Box Set Righteous to Me 1993 Preboards;; |
| LB-5705 | 2/18/93 | Hannover | 2 | A | NETF; some applause edited out by the taper, net |
| LB-6845 | 2/18/93 | Hanover, Germany | 2 | | BOOTLEG: It Ain't Me Babe; cd > ultraplex > eac > |
| LB-0908 | 2/20/93 | Wiesbaden | 2 | A- | excellent sound, downloaded from a.b.m.s.d. 03/03; |
| LB-2321 | 2/20/93 | Wiesbaden | 2 | A | from the Box Set Righteous to Me 1993 Preboards;; |
| LB-3380 | 2/20/93 | Wiesbaden | 2 | B+ | Source: Master Aud mit Sony WWD6C + Microphon Sony |
| LB-5881 | 2/20/93 | Wiesbaden, Germany | 2 | A | NTF; cut before encore, net taper F, OKM II -> |
| LB-0931 | 2/21/93 | Petange | 2 | B+ | very good to excellent sound; nothing above 17k |
| LB-2323 | 2/21/93 | Petange | 2 | A | from the Box Set Righteous to Me 1993 Preboards;; |
| LB-6846 | 2/21/93 | Petange, Luxembourg | 2 | B+ | BOOTLEG: And the Never Ending Tour Band; cd > |
| LB-0909 | 2/23/93 | Paris | 2 | A | most spectral density below 16k but is full |
| LB-2324 | 2/23/93 | Paris | 2 | B | from the Box Set Righteous to Me 1993 Preboards;; |
| LB-4793 | 2/23/93 | Paris | 2 | B- | version "a"; Audience recording (Full spectrum) > |
| LB-5651 | 2/23/93 | Paris | 2 | A | version "c"; audience recording, alternative |
| LB-2326 | 2/25/93 | Belfast | 2 | B+ | sbd; some harshness at times; very good to |
| LB-0184 | 4/12/93 | Louiville | 2 | | excellent sound; levels are low |
| LB-0879 | 4/12/93 | Louisville | 2 | A | excellent sound, alternate A, MJS Master, |
| LB-2313 | 4/12/93 | Robert S. Whitney | 2 | A | version "b"; Stereo audience recording; bittorrent |
| LB-2332 | 4/13/93 | Nashville | 2 | B | sbd; incomplete; some occasional harshness; very |
| LB-5821 | 4/13/93 | Nashville | 2 | B | version "a"; From The Box Set:, Righteous To Me:, |
| LB-2328 | 4/14/93 | Nashville | 2 | B | sbd; incomplete; harshness at beginnning; light |
| LB-5385 | 4/14/93 | Nashville | 2 | B- | JTT, "2nd Generation Transfer, Possibly |
| LB-7194 | 4/14/93 | Nashville | 2 | B+ | version "b"; lineage : CDR (received in a trade) > |
| LB-2330 | 4/16/93 | Radford | 2 | B- | sbd; incomplete; start very harsh on d1t1 followed |
| LB-2331 | 4/17/93 | Knoxville | 2 | C+ | sbd; incomplete; abrupt start into d1t1 with |
| LB-2351 | 4/17/93 | Knoxville | 2 | | version "a", From the Righteous To me - 1993 set |
| LB-2368 | 4/17/93 | Civic Auditorium | 2 | A | Audience recording; bittorrent download 01/05; |
| LB-4677 | 4/17/93 | Knoxville | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-2334 | 4/18/93 | Asheville | 2 | B+ | sbd, incomplete, a few brief spots of harshness; |
| LB-4991 | 4/18/93 | Asheville | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-2329 | 4/19/93 | Huntsville | 2 | B | sbd; levels too loud and harsh for beginning of |
| LB-6847 | 4/19/93 | Huntsville, AL | 2 | A | BOOTLEG: Hard Times in Alabama; cd > ultraplex > |
| LB-6992 | 4/19/93 | Huntsville, Alabama | 2 | A | jtt; Excellent Audience Recording, SOURCE: DAT > |
| LB-2335 | 4/21/93 | Monroe | 2 | B+ | sbd;; incomplete; some occasional harshness; very |
| LB-4653 | 4/21/93 | Monroe | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-7160 | 4/21/93 | Monroe, La, USA | 2 | A- | version "b"; Source: Sonic Studio Mics > Sony D3, |
| LB-2345 | 4/23/93 | New Orleans | 2 | B+ | sbd; levels start low on d1t1; gets harsh |
| LB-4994 | 4/23/93 | New Orleans | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-7064 | 4/23/93 | New Orleans, La | 2 | A | Source: Sonic Studio Mics > Sony D3, Transfer: DAT |
| LB-6848 | 6/xx/93 | Europe | 2 | | BOOTLEG: Breadcrumb Sins; cd > ultraplex > eac > |
| LB-2348 | 6/12/93 | London | 1 | B | sbd; incomplete; abrupt start t1; some harshness |
| LB-2419 | 6/12/93 | Fleadh Festival | 1 | B | Audience recording: cdr>eac(secure |
| LB-5787 | 6/12/93 | London | 1 | B+ | net taper I, lineage, OKMII -> portable Sony |
| LB-7251 | 6/12/93 | Finsbury Park | 1 | A- | legendary taper J, Sennheiser MKE2002 -> portable |
| LB-1925 | 6/17/93 | Tel Aviv, Israel | 2 | C- | flac, bootleg --> EAC secure mode --> flac, 630 MB |
| LB-1952 | 6/17/93 | Mann Auditorium | 2 | C | Master MC (C-90 x2) > DAT > CDr (no other CDr |
| LB-2346 | 6/17/93 | Mann Auditorium | 2 | B | sbd; incomplete; downloaded from a.b.m.s 01/05; |
| LB-2350 | 6/17/93 | Mann Auditorium | 2 | B | version "a"; sbd; eac compare with previous |
| LB-6408 | 6/17/93 | Tel-Aviv, Israel | 2 | C | Howlin' Husky, ; Soundboard recording., Starting |
| LB-1929 | 6/19/93 | Beersheva, Israel | 2 | B- | flac, aud --> CDR --> EAC secure mode --> flac, |
| LB-2072 | 6/19/93 | Beersheva, Israel | 2 | B- | aud --> CDR --> EAC secure mode --> flac, This is |
| LB-2347 | 6/19/93 | Beersheba, Israel | 2 | B+ | Another from the "Righteous To Me" box. One listen |
| LB-2349 | 6/19/93 | Beersheba, Israel | 2 | | version "a"; sbd; this one has higher levels on |
| LB-4574 | 6/19/93 | Beersheba | 2 | B+ | Taper: "Bach", Lineage: Sony Dat TCD-D3 / micro |
| LB-1931 | 6/20/93 | Haifa, Israel | 2 | B | flac, AUD --> CDR --> EAC secure mode --> flac, |
| LB-2354 | 6/20/93 | Haifa | 2 | A- | sbd; starts loud and harsh at very begin of d1t1; |
| LB-2353 | 6/22/93 | Athens | 2 | B | sbd; level fluctuations on d1t1; a little |
| LB-6002 | 6/22/93 | Athens, Greece | 2 | B+ | JB; 'Mr Tambourine Man' and 'Cat's In The Well' |
| LB-2352 | 6/23/93 | Athens | 2 | B- | sbd; start loud and harsh at very begin of d1t1 |
| LB-6036 | 6/23/93 | Athens, Greece | 2 | B | John Bauldie, analog master -> DAT - clone -> |
| LB-3451 | 6/25/93 | Naples | 2 | B | Audience recording, Unknown generation Tape > CDR |
| LB-4014 | 6/25/93 | Naples | 2 | B- | version "a"; bittorrent download 09/06; same |
| LB-2355 | 6/26/93 | Pisa | 2 | B+ | sbd; some level fluctuations d1t2; some occasional |
| LB-3839 | 6/26/93 | Pisa | 3 | B+ | aud; very good to excellent sound [B+]; a little |
| LB-0912 | 6/27/93 | Milano | 2 | A | downloaded from a.b.m.s.d. 03/03, nothing above |
| LB-4883 | 6/27/93 | Milan | 2 | A | version "a"; Taper: Legendary Taper J, Source: DAT |
| LB-4934 | 6/27/93 | Milan | 2 | B | bravo; Taper: Unknown., Source: Audio disks > |
| LB-4963 | 6/27/93 | Milan | 2 | B | version "c"; alt; Taper: Unidentified., Source: |
| LB-2356 | 6/29/93 | Marseille | 2 | B | sbd; levels start low and come up after a couple |
| LB-5793 | 6/29/93 | Marseille, France | 2 | A- | versiion "a"; I believe this set is from the same |
| LB-5810 | 6/29/93 | Marseille | 2 | A | LTJ fixed; cuts before Maggie's Farm, encore, last |
| LB-5811 | 6/29/93 | Marseilles | 2 | A- | BOOTLEG: Hard Times in Marseilles; cd > ultraplex |
| LB-0913 | 6/30/93 | Toulouse | 2 | A | downloaded from a.b.m.s.d. 03/03, last 1 /12 |
| LB-2379 | 6/30/93 | Toulouse | 2 | B- | sbd; not much above 15k; good to very good sound |
| LB-5878 | 6/30/93 | Toulouse | 2 | A | version "b"; cut before encore, ??? -> DAT (clone) |
| LB-2381 | 7/1/93 | Barcelona | 2 | A | sbd; gets a little harsh brielfly on d1t2; |
| LB-2484 | 7/1/93 | El Pueblo Espa | 2 | A | Schubert Remaster, obviously done from the |
| LB-6849 | 7/1/93 | Barcelona, Spain | 2 | | BOOTLEG: From the Coast of Barcelona; cd > |
| LB-2394 | 7/2/93 | Vitoria | 2 | B+ | sbd; incomplete; a little occasional harshness; |
| LB-6078 | 7/2/93 | Vitoria, Spain | 3 | B- | taper Vito, analog master -> DAT - clone -> |
| LB-2382 | 7/4/93 | Waterford | 2 | | From The Box Set:, Righteous To Me:, 1993 |
| LB-2398 | 7/4/93 | Waterford | 2 | C- | sbd; starts distant and muffled with a rattle on |
| LB-2380 | 7/6/93 | Huesca | 2 | B | sbd; ocasional slight harshness/crackling; not |
| LB-7472 | 7/6/93 | Huesca, Spain | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-2383 | 7/8/93 | Gijon | 2 | A- | sbd; levels go down at begin of d1t2; not much |
| LB-5735 | 7/8/93 | Gijon | 2 | A | legendary taper D, Sennheiser MKE2002 (?) -> |
| LB-5997 | 7/8/93 | Gijon | 2 | A- | version "b"; sbd; levels go down at begin of d1t2; |
| LB-2384 | 7/9/93 | La Coruna | 2 | A- | sbd; not much above 14k; excellent sound [A-]; |
| LB-5720 | 7/9/93 | La Coruna | 2 | A | legendary taper D, Sennheiser MKE2002 (?) -> |
| LB-6965 | 7/9/93 | La Coruna, Spain | 2 | A- | jtt; "Pre Board ?", BOB DYLAN, Xacobe Festival, |
| LB-7095 | 7/9/93 | La Coruna, Spain | 2 | B+ | version "c"; received in a trade as REMASTER of |
| LB-3575 | 7/10/93 | Oporto | 2 | A- | DATA DVD TRADE (FLAC) > Azareus > torrent > Dime > |
| LB-5714 | 7/10/93 | Oporto, Portugal | 2 | A- | legendary taper D, Sennheiser MKE2002 (?) -> |
| LB-1212 | 7/12/93 | Merida | 2 | A- | cb master; excellent sound; little background |
| LB-2317 | 7/12/93 | Teatro Romano | 2 | A- | from the Box Set: Righteous To Me: 1993 Preboards; |
| LB-2395 | 7/12/93 | Merida | 2 | A- | sbd; similar to previous version except maybe a |
| LB-5556 | 7/12/93 | Merida | 2 | A | legendary Taper: D, Lineage: Sennheiser MKE2002 -> |
| LB-7296 | 7/12/93 | Merida, Spain | 2 | B+ | BOOTLEG: On the Rising Curve; Soundboard recorded |
| LB-7311 | 7/12/93 | Merida, Spain | 2 | B+ | BOOTLEG: ON THE RISING CURVE; version "e"; |
| LB-1757 | 7/13/93 | Cascais, Portugal | 2 | A- | excellent sound; downloaded from a.b.m.s.d. 05/04; |
| LB-2374 | 7/13/93 | Pavilmao | 2 | A- | version "a"; Sound Good Aud. A-, Lineage : |
| LB-2403 | 7/13/93 | Cascais, Portugal | 2 | A | sbd; not much above 15k; excellent sound [A] |
| LB-4668 | 7/13/93 | Cascais, Portugal | 2 | A- | HT Remaster, Excellent audience recording; |
| LB-5717 | 7/13/93 | Cascais | 2 | A | legendary taper D, Sennheiser MKE2002 (?) -> |
| LB-2316 | 7/17/93 | Gurten Festival | 2 | A- | from the Box Set Righteous to Me 1993 Preboards; |
| LB-3210 | 7/17/93 | Bern | 2 | | BOOTLEG: The End of Summer; Original Soundboard |
| LB-5642 | 7/17/93 | Bern | 2 | B+ | Lineage:, Taper: unknow, [?mic -> portable |
| LB-4478 | 8/20/93 | Portland | 2 | B+ | Audience recording (Full spectrum) > Unknown |
| LB-5366 | 8/20/93 | Portland | 2 | A- | version"a"; audience recording - excellent sound, |
| LB-5853 | 8/20/93 | Portland | 2 | A- | local taper NW: A, ?? -> portable DATrecorder - |
| LB-5036 | 8/21/93 | Seattle | 2 | A- | Unknown Audience>CDR>EAC>FLAC LEVEL 5; bittorrent |
| LB-3735 | 8/22/93 | Vancouver | 2 | A- | trade datadvd (SHN) > Azareus > torrent > dime > . |
| LB-0600 | 8/25/93 | Englewood | 2 | B+ | very good to excellent sound, abrupt start d1t1, |
| LB-7371 | 8/25/93 | Englewood, Colorado | 2 | B+ | version "a"; Taper: unidentified, Source/Lineage: |
| LB-0133 | 8/27/93 | Falcon Heights | 2 | | excellent sound, corrected version with full cd2; |
| LB-5903 | 8/28/93 | Milwaukee | 2 | A- | ?? -> cassette master -> DAT - clone -> (digital |
| LB-7173 | 8/28/93 | Milwaukee | 2 | B+ | version "a"; I received this concert in a trade as |
| LB-5880 | 8/29/93 | Chicago. Illinois | 2 | A- | 1st song incomplete, at end again from analog |
| LB-5562 | 8/31/93 | Clarkston | 2 | A | I made a request suggested by a couple of friends |
| LB-0356 | 9/2/93 | Toronto | 2 | | very good to excellent sound, levels a little low, |
| LB-5417 | 9/3/93 | Syracuse, New York | 2 | B+ | no info file; bittorrent download 10/07 included |
| LB-0516 | 9/4/93 | Saratoga Springs | 2 | A | excellent sound |
| LB-4548 | 9/4/93 | Saratoga Springs | 2 | A | version "a"; bittorrent download 03/07; same as |
| LB-7794 | 9/4/93 | Saratoga Springs | 2 | A | version "b"; * This recording is the same as |
| LB-0595 | 9/5/93 | Scranton | 2 | B | very good sound (a bittorrent from 5/06 was a sort |
| LB-6095 | 9/5/93 | Scranton | 2 | B+ | GD; legendary taper F, Sennheiser MKE2002 -> |
| LB-3032 | 9/8/93 | Vienna | 2 | A- | very good to excellent sound [B+], a little harsh |
| LB-6102 | 9/8/93 | Vienna | 2 | B+ | version "a"; inhouse line, many analog flaws in |
| LB-6106 | 9/8/93 | Vienna | 2 | B- | BOOTLEG: Not Much Is Really Sacred; cd > ultraplex |
| LB-6107 | 9/8/93 | Vienna | 1 | B+ | BOOTLEG: The Real Sound; cd > ultraplex > eac > |
| LB-0274 | 9/9/93 | Vienna | 1 | | sbd, very good to excellent sound, a little tinny; |
| LB-3049 | 9/9/93 | VIENNA | 2 | B+ | Assisted Listening Device Recording; excellent |
| LB-6105 | 9/9/93 | Vienna | 2 | B+ | version "b"; low gen ALD > DAT > CD > EAC > |
| LB-6851 | 9/9/93 | Wolf Trap | 2 | | BOOTLEG: No Time to Think; cd > ultraplex > eac > |
| LB-2405 | 9/10/93 | Jones Beach | 4 | A- | Two Nights at Jones Beach(September 10 & 11, 1993) |
| LB-4599 | 9/10/93 | Wantagh | 2 | A- | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-2406 | 9/11/93 | Jones Beach | | | see Two Nights at Jones Beach(September 10 & 11, |
| LB-2997 | 9/11/93 | Jones Beach | 2 | | Taped and Transfered by: gdplusmore@aol.com, |
| LB-1258 | 9/12/93 | Great Woods | 2 | A | BOOTLEG: Great Woods; downloaded from a.b.m.s.d. |
| LB-3499 | 9/12/93 | Great Woods | 1 | B | aud; this track is cut on for cut on Great Woods |
| LB-3568 | 9/12/93 | Great Woods | 2 | A- | aud; excellent sound [A-] |
| LB-3759 | 9/14/93 | Holmdel | 2 | B | dvd FLAC > azareus > torrent > dime, incl, txt |
| LB-4405 | 9/14/93 | Holmdel | 2 | B+ | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-0591 | 9/17/93 | Charlotte | 2 | C- | good sound, tinny with hiss but is upfront, pop at |
| LB-3646 | 9/17/93 | Charlotte | 2 | C+ | version "a"; FLAC files, no info, incl, txt file, |
| LB-4398 | 9/17/93 | Charlotte | 2 | B | Taper: Glen Dundas, Source: AUdio disks from taper |
| LB-4690 | 9/17/93 | Charlotte | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-5795 | 9/18/93 | Atlanta | 2 | B+ | GD; legendary taper F, ?? -> portable DATrecorder |
| LB-7092 | 9/18/93 | Atlanta, Georgia | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-3644 | 9/19/93 | Raleigh | 2 | C | no info, incl, txt file, fingerprints, artwork; |
| LB-4340 | 9/19/93 | Raleigh | 2 | B | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-4995 | 9/19/93 | Raleigh | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-0715 | 9/21/93 | Tampa | 2 | | excellent sound, clapping on dt1 (a close eac |
| LB-0717 | 9/22/93 | Miami | 2 | | very good sound; has a hiss band and can hear it, |
| LB-3629 | 9/22/93 | Miami, Florida | 2 | | version "a"; SHN files !!!!, no info, incl, txt |
| LB-5921 | 9/23/93 | West Palm Beach | 2 | A- | LTH; cut before Mr. Tambourine Man, legendary |
| LB-3631 | 10/1/93 | Costa Mesa | 2 | B+ | SHN files!!!!, no info, incl, txt file, md5 files, |
| LB-5966 | 10/1/93 | Costa Mesa | 2 | B+ | NETA; first song different master, dropout in |
| LB-0117 | 10/2/93 | Los Angeles | 2 | B+ | excellent sound |
| LB-5820 | 10/2/93 | Los Angeles | 2 | A- | NETA; cut between discs, net taper A, ?? -> |
| LB-6852 | 10/2/93 | Hollywood Bowl | 1 | | BOOTLEG: Stumblin' Along; cd > ultraplex > eac > |
| LB-3781 | 10/3/93 | San Diego | 2 | A- | datadvd trade SHN >azareus > torrent > DaD, no |
| LB-5912 | 10/3/93 | San Diego | 2 | A- | net taper A, ?? -> portable DATrecorder - clone -> |
| LB-5563 | 10/5/93 | San Bernadino | 2 | A | for the new global moderator DON LUIS, data dvd |
| LB-5930 | 10/5/93 | San Bernardino | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
| LB-1084 | 10/7/93 | Concord | 2 | A- | downloaded from a.b.m.s.d. 07/03, excellent sound |
| LB-3632 | 10/7/93 | Concord | 2 | A | version "a"; FLAC FILES, no info, incl, txt files, |
| LB-5973 | 10/7/93 | Concord | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
| LB-5764 | 10/8/93 | Sacramento | 2 | A- | ?? -> portable DATrecorder - clone -> (digital |
| LB-5840 | 10/8/93 | Sacramento | 2 | A- | Scottsays; This is a nice true mono audience |
| LB-3610 | 10/9/93 | Shoreline | 2 | A- | SHN files, renaming songtitles to acceptable DIME |
| LB-4996 | 10/9/93 | Mountain View | 2 | B | version "a"; Audience recording > Unknown transfer |
| LB-6526 | 10/9/93 | Mountain View, Ca | 2 | A | schoeps; I am seeding a DAT clone off of the |
| LB-0182 | 11/16/93 | Supper Club | 1 | A- | Late, sbd, excellent sound, (requested to be |
| LB-1060 | 11/16/93 | Supper Cub | 1 | | Supperclub (16 Nov 1993) Vol 1, DTS (Ambisonics) 5 |
| LB-1651 | 11/xx/93 | Supper Club, NYC | 4 | A- | "The Supper Club Upgrade" dylantree.com project; |
| LB-5406 | 11/16/93 | The Supper Club | 2 | A | BOOTLEG: (And It Ain't) In The Seats Of A Supper |
| LB-5409 | 11/16/93 | The Supper Club | 1 | A | BOOTLEG: The Supper Club; late show; sbd; Silver |
| LB-6207 | 11/16/93 | THE SUPPER CLUB | 4 | A | JTT; COMPLETE SUPPER CLUB "SOUNDBOARDS" November |
| LB-6208 | 11/16/93 | Supper Club | 1 | A | BOOTLEG: Is this what you want ?; FLU-0012, |
| LB-6853 | 11/16/93 | New York - Supper | 2 | | BOOTLEG: First Supper; cd > ultraplex > eac > wav |
| LB-4454 | 11/17/93 | Supper Club | 2 | B+ | (Early Show), (Late Show - Incomplete), Taper: Lee |
| LB-5407 | 11/17/93 | Supper Club, NYC | 1 | A | late; sbd; lowgen; Soundboard of the 4th Supper |
| LB-6197 | 11/17/93 | The Supper Club New | 1 | A | early; sbd;;; excellent sound [A] |
| LB-6356 | 11/17/93 | The Supper Club | 1 | A | SM-RM; early; 8 pm, soundboard, Part of 05 |
| LB-6854 | 11/17/93 | New York - Supper | 2 | | BOOTLEG: Second Supper; cd > ultraplex > eac > wav |