| LB | Date | Location | CDR | Rating | Description |
| LB-6829 | xx/xx/92 | Various | 2 | | BOOTLEG: Modern Minstrel; cd > ultraplex > eac > |
| LB-4336 | 3/13/92 | Stuart Coope | 1 | B+ | from various locations: Los Angeles, CA and Sydney |
| LB-0855 | 3/18/92 | Perth | 2 | B+ | from mk recording, very good to excellent sound; |
| LB-1037 | 3/18/92 | Perth | 2 | B+ | jl recordings, very good sound, slightly prefer mk |
| LB-7644 | 3/18/92 | Perth | 2 | B+ | version "b"; FLAC files (dated 4 April 2005), |
| LB-0856 | 3/21/92 | Adelaide | 2 | A- | from mk recording, excellent sound; (a bittorrent |
| LB-1036 | 3/21/92 | Adelaide | 2 | B+ | jl recordings, very good sound, slightly prefer mk |
| LB-7649 | 3/21/92 | Adelaide | 2 | A- | version "b"; FLAC files (dated 5 April 2005), |
| LB-0814 | 3/23/92 | Sydney | 2 | A- | from mk recording, excellent sound |
| LB-1035 | 3/23/92 | Sydney | 2 | B+ | jl recordings, very good to excellent sound, a few |
| LB-0817 | 3/24/92 | Sydney | 2 | B+ | from mk recording, very good to excellent sound |
| LB-1047 | 3/24/92 | Sydney | 2 | B+ | jl recording, very good to excellent sound, sounds |
| LB-5252 | 3/24/92 | Sydney, Australia | 2 | B+ | version "a"; From MK master tape; bittorrent |
| LB-0815 | 3/25/92 | Sydney | 2 | B+ | from mk recording; very good to excellent sound |
| LB-1048 | 3/25/92 | Sydney | 2 | B+ | jl recording, very good to excellent sound, sounds |
| LB-0416 | 3/28/92 | Entertainment Centre | 2 | B | very good sound, distant; |
| LB-0863 | 3/28/92 | Brisbane | 2 | B | from mk recording, very good sound; different |
| LB-0400 | 3/29/92 | Royal Theatre | 2 | A- | excellent sound |
| LB-0864 | 3/29/92 | Canberra | 2 | B+ | from mk recording, has tv band on d1; different |
| LB-0727 | 4/1/92 | Melbourne | 2 | A- | from mk recording, excellent sound |
| LB-1558 | 4/1/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK; |
| LB-4738 | 4/1/92 | Melbourne | 2 | A- | from lk set "Tony's Master"; level fluctuations on |
| LB-0730 | 4/2/92 | Melbourne | 2 | B | from mk recording, very good sound, a little tinny |
| LB-1559 | 4/2/92 | Melbourne | 2 | B | JLT master transferred and mastered by LK; very |
| LB-4745 | 4/2/92 | Melbourne | 2 | B | from lk set "Tony's Master"; in 3-way comparison |
| LB-0731 | 4/3/92 | Melbourne | 2 | B+ | from mk recording, very good to excellent sound |
| LB-1538 | 4/3/92 | Melbourne | 2 | B+ | mk; very good to excellent sound; in comparison to |
| LB-1561 | 4/3/92 | Melbourne | 2 | B+ | JLT master transferred and mastered by LK; very |
| LB-0406 | 4/5/92 | Palais Theatre | 2 | A- | excellent sound |
| LB-0656 | 4/5/92 | Palais Theatre | 2 | A- | alternate version, excellent sound, this is the mk |
| LB-1426 | 4/5/92 | Palais Theatre | 2 | A- | remaster;;;;, excellent sound, this is the mk |
| LB-1562 | 4/5/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK; |
| LB-0774 | 4/6/92 | Melbourne | 2 | A- | from mk recording, excellent sound |
| LB-1564 | 4/6/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK; |
| LB-2812 | 4/6/92 | Melbourne, Australia | 2 | A- | IAR056, Improved Air Remaster 056, released April |
| LB-0779 | 4/7/92 | Melbourne | 2 | A- | from mk recording, excellent sound; (a bittorrent |
| LB-1565 | 4/7/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK; |
| LB-0865 | 4/10/92 | Launceston | 2 | A- | from mk recording, excellent sound |
| LB-1570 | 4/10/92 | Launceston | 2 | A- | JLT master transferred and mastered by LK; |
| LB-0869 | 4/11/92 | Hobart | 2 | B+ | from mk recording, very good to excellent sound |
| LB-1569 | 4/11/92 | Hobart | 2 | B+ | JLT master transferred and mastered by LK; similar |
| LB-0820 | 4/13/92 | Sydney | 2 | A- | from mk recording, excellent sound |
| LB-1566 | 4/13/92 | Sydney | 2 | B+ | JLT master transferred and mastered by LK; very |
| LB-0823 | 4/14/92 | Sydney | 2 | B+ | from mk recording, very good to excellent sound |
| LB-1568 | 4/14/92 | Sydney | 2 | A- | JLT master transferred and mastered by LK; |
| LB-0398 | 4/15/92 | State Theatre | 2 | A- | excellent sound |
| LB-0827 | 4/15/92 | Sydney | 2 | A- | from mk recording, excellent sound; same recording |
| LB-1567 | 4/15/92 | Sydney | 2 | A- | JLT master transferred and mastered by LK; |
| LB-4028 | 4/15/92 | Sydney | 1 | C+ | (incomplete soundboard recording), A rare |
| LB-5211 | 4/15/92 | Sydney | 2 | B | version "c"; Audience recording > Unknown transfer |
| LB-6121 | 4/15/92 | Sydney, Australia | 1 | B | version "d"; SBD > ? > CD > EAC > Soundforge 6.0 > |
| LB-7096 | 4/15/92 | Sydney, Australia | 2 | A- | version "e"; From MK master tape; bittorrent |
| LB-0401 | 4/16/92 | State Theatre | 2 | | very good sound, sort of fuzzy on louder songs; |
| LB-0826 | 4/16/92 | Sydney | 2 | B+ | from mk recording, very good sound; similar sound |
| LB-1571 | 4/16/92 | Sydney | 2 | A- | JLT master transferred and mastered by LK; |
| LB-1537 | 4/18/92 | Auckland | 2 | B- | non MK version; nothing above 16k; does not have |
| LB-4779 | 4/18/92 | Auckland | 2 | B- | from lk set "Tony's Master", The final track is a |
| LB-6488 | 4/18/92 | Auckland | 1 | C | JTT; (Partial Tape), BOB DYLAN, Super Pop Tent, |
| LB-3985 | 4/22/92 | Maui | 2 | A- | Lineage: Trade CDRs > EAC (no errors) > hdd > |
| LB-5386 | 4/22/92 | Maui | 2 | B | JTT; "2nd Generation Transfer, Possibly |
| LB-2724 | 4/24/92 | Waikiki | 2 | A- | I received this audience recorded show in the form |
| LB-5818 | 4/24/92 | Waikiki | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-6830 | 4/24/92 | Waikiki Shell | 2 | B+ | BOOTLEG: Paradise, Hawaiian Style; cd > ultraplex |
| LB-0333 | 4/27/92 | Paramount Theater | 2 | A- | Sonic Studios >D5. Seating was in the first row, |
| LB-3919 | 4/27/92 | Seattle | 2 | A- | version "a"; Size:540MB, Trade > CDR > Wav > |
| LB-5774 | 4/27/92 | Seattle | 2 | A | LTD; cut beginning Absolutely Sweet Marie, |
| LB-3969 | 4/28/92 | Seattle | 2 | A- | Size:521MB, Trade > CDR > Wav > FLAC(Level:8), |
| LB-5387 | 4/28/92 | Seattle | 2 | B | JTT; "2nd Generation Transfer, Possibly |
| LB-5797 | 4/28/92 | Seattle | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-7578 | 4/28/92 | Seattle, Washington | 2 | A | version "c"; bittorrent download (05/09; |
| LB-1624 | 4/30/92 | SILVA CONCERT HALL | 2 | A- | Master Tape > DAT > CDR > Adaptec Create CD > FLAC |
| LB-3929 | 4/30/92 | Eugene | 2 | A- | version "a"; Size:560MB, Trade > CDR > Wav > |
| LB-5899 | 4/30/92 | Eugene, Oregon | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-5883 | 5/1/92 | Red Bluff | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-1578 | 5/2/92 | Sonoma County | 2 | A | from "Positively Potpourri" set; Artwork - |
| LB-4030 | 5/2/92 | Santa Rosa | 2 | A | version "a"; Size:501MB, Trade > CDR > Wav > |
| LB-5944 | 5/2/92 | Santa Rosa | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-6831 | 5/4/92 | Warfield, SF | 2 | A- | BOOTLEG: Tangled Up in Blue; cd > ultraplex > eac |
| LB-7087 | 5/4/92 | Warfield Theater | 2 | A- | BOOTLEG: The Warfield; Label: Flashback / 09.92 |
| LB-0041 | 5/5/92 | Warfield | 2 | A- | 48k, daud transfer from dat >midiman delta dio |
| LB-2297 | 5/5/92 | The Warfield Theater | 2 | A- | version "a"; Audience recording, CDR > EAC > wav > |
| LB-5931 | 5/5/92 | San Francisco | 2 | A- | LTD; Absolutely Sweet Marie and All Along The |
| LB-6182 | 5/5/92 | San Francisco Ca | 2 | A | Schoeppes MK4 DAT, DAT Clone->CDWav->Flac, |
| LB-7638 | 5/5/92 | San Francisco | 2 | A- | version "e"; Size:559MB, Trade > CDR > Wav > |
| LB-4008 | 5/7/92 | Berkeley Community | 2 | B+ | Lineage: CDRs from trade (audience recording) > |
| LB-5974 | 5/7/92 | Berkeley | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-3987 | 5/8/92 | Berkeley | 2 | A- | Lineage: CDRs from trade (audience recording) > |
| LB-5998 | 5/8/92 | Berkeley | 2 | A- | LTD; some applause edited out, legendary taper D, |
| LB-6832 | 5/8/92 | Bekekey | 1 | | BOOTLEG: From Broadway to the Milky Way; cd > |
| LB-0129 | 5/9/92 | Event Center Arena | 2 | A | excellent to outstanding sound, this version not |
| LB-4031 | 5/9/92 | San Jose State | 2 | A | version "a"; Size:592MB, Trade > CDR > Wav > |
| LB-4652 | 5/9/92 | San Jose | 2 | B+ | Pdub Master: Sonic Studios 6p mics > Sony D6 > |
| LB-6833 | 5/9/92 | San Jose, CA | 1 | A | BOOTLEG: San Jose Revisted; cd > ultraplex > eac > |
| LB-5938 | 5/11/92 | Santa Barbara | 2 | A- | LTD; cut/problems beginning Love Minus Zero/No |
| LB-6639 | 5/11/92 | Santa Barbara, CA | 2 | | BOOTLEG: Going To Arlington; cd > ultraplex > eac |
| LB-4192 | 5/13/92 | Los Angeles | 2 | A | Lineage: CDRs from trade (audience recording) > |
| LB-6060 | 5/13/92 | Hollywood | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-1577 | 5/14/92 | Los Angeles | 2 | B+ | very good to excellent sound |
| LB-4015 | 5/14/92 | Los Angeles | 2 | B+ | version "a"; Size:567MB, Trade > CDR > Wav > |
| LB-4012 | 5/16/92 | The Pantages Theater | 2 | B+ | Size:576MB, Trade > CDR > Wav > FLAC(Level:8), |
| LB-1312 | 5/17/92 | The Pantages Theater | 2 | B+ | taper: Unknown, CD mastering: Jeff |
| LB-1643 | 5/17/92 | PANTAGES THEATRE | 2 | B+ | version "a"; Master Tape > DAT > CDR > EAC > Cool |
| LB-6077 | 5/17/92 | Hollywood | 2 | B+ | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-4013 | 5/19/92 | Los Angeles | 2 | B | data trade flacs > azareus > torrent dime, sorry |
| LB-0964 | 5/20/92 | Los Angeles | 2 | C- | good sound |
| LB-4032 | 5/20/92 | Los Angeles | 2 | D+ | version "a"; data trade SHN > azareus > torrent > |
| LB-4068 | 5/21/92 | Los Angeles | 2 | A | Size:571MB, Trade > CDR > Wav > FLAC(Level:8), |
| LB-1211 | 5/23/92 | Goldwyn Events | 2 | A- | MJS Master, Sonic Studios DSM6 >, Sony TCD-D3 DAT |
| LB-1167 | 6/xx/92 | Acme Recording | 1 | A- | excellent sound; mono |
| LB-1454 | xx/xx/92 | Acme Recording | 1 | A | Call it "The Lowgen Remaster", These were made |
| LB-1456 | xx/xx/92 | Acme Recording | 1 | B+ | and David Bromberg sessions, April/May 1992, Dan |
| LB-3542 | 6/xx/92 | ACME Studios | 1 | B | BOOTLEG: Kaatskill Serenade And Three More Songs; |
| LB-3544 | 6/xx/92 | Acme Recording | 1 | A | , lowgen version "a"; Four Tunes from the Bromberg |
| LB-0480 | 6/26/92 | Lulea, Sweden | 2 | B- | very good sound, some nearby annoying occasional |
| LB-5168 | 6/26/92 | Lule, Sweden | 2 | B | version "a"; Lineage: cassette tape (said to be A |
| LB-2267 | 6/28/92 | Gothenburg, Sweden | 2 | A- | Lineage: ? > CD-Rs > EAC secure mode > shntool > |
| LB-5080 | 6/28/92 | Gothenburg,Sweden | 2 | A- | Madhasse; Lineage: |
| LB-7692 | 6/28/92 | Gothenburg,Sweden | 2 | A- | version "b"; Lineage: |
| LB-0763 | 6/30/92 | Dunkerque, Kursaal | 2 | A | master, Sony D-7, Sennheiser microphones, |
| LB-0764 | 6/30/92 | Dunkerque, France | 2 | A- | alternate, upgrade, version "a", excellent sound; |
| LB-1597 | 6/30/92 | Dunkerque, France | 2 | A- | Remastered by Improved Air Remaster, December 22, |
| LB-4526 | 6/30/92 | Dunkerque | 2 | A | version "b"; Lineage: CD'rs received in trade -> |
| LB-2683 | 7/1/92 | Reims | 2 | A | AUD DAT Master [Sennheiser |
| LB-2840 | 7/1/92 | Reims | 2 | B | taper Paul Berry, source FUJI C100, |
| LB-1889 | 7/2/92 | Belfort, France | 2 | B | Source: Audience, Lineage: CDR > EAC > FLAC |
| LB-3456 | 7/2/92 | Belfort | 1 | B+ | Source: Master mit Sony WMD6C + Microphon Sony ECM |
| LB-1309 | 7/4/92 | Genoa | 2 | A- | excellent sound, a little background crowd on d1t5 |
| LB-5900 | 7/4/92 | Genua, Italy | 2 | A | legendary taper J, Sennheiser MKE 2002 (?) -> |
| LB-4474 | 7/5/92 | Correggio | 2 | A- | Audience recording (Full spectrum) > Unknown |
| LB-1268 | 7/7/92 | Merano | 2 | A- | from Holy Grail series; light background talking |
| LB-5972 | 7/7/92 | Merano, Italy | 2 | A | legendary taper J, Sennheiser MKE 2002 (?) -> |
| LB-6640 | 7/7/92 | Meran, Italy | 1 | | BOOTLEG: Meran 92; cd > ultraplex > eac > wav > |
| LB-2032 | 7/8/92 | Aosta | 2 | A- | taper Paul Berry, source FUJI C100, |
| LB-3507 | 7/8/92 | Aosta | 2 | A | version "a"; Audience recording, CDR > EAC > WAV > |
| LB-4557 | 7/10/92 | Leysin | 2 | B+ | AUD DAT Master [unknown equipment] > DAT clone(s) |
| LB-5773 | 7/10/92 | Leysin | 1 | B- | Off master, Taper: Vito, Source/Linage:, Sony |
| LB-5850 | 7/10/92 | Leysin | 2 | B+ | local taper DE D, ?? -> portable DAT-recorder - |
| LB-2768 | 7/12/92 | Juan-Les-Pins | 2 | A | off "sm" master; source: Sennheiser Mics > Sony |
| LB-5950 | 7/12/92 | Juan-Les-Pins | 2 | A | source: Sennheiser Mics > Sony TC-D5M > Master |
| LB-6834 | 7/12/92 | Antibes, France | 2 | B | BOOTLEG: Lucky Not To Be Destoyed; cd > ultraplex |
| LB-8246 | 7/12/92 | Juan-les-Pins | 2 | B | BOOTLEG: Lucky not to be destroyed; version "c"; |
| LB-2372 | 8/17/92 | Massey Hall | 2 | B | sound is better than others in this time period.. |
| LB-4467 | 8/18/92 | Toronto | 2 | B+ | Audience recording (Full spectrum) > Unknown |
| LB-4473 | 8/20/92 | Meadville | 2 | B | SHN files data disc trade, no info...NO EDIT, incl |
| LB-5913 | 8/20/92 | Meadville | 2 | B | FixedLB4473; SHN files data disc trade, no info.. |
| LB-0795 | 8/21/92 | Hamilton Place | 2 | | very good to excellent sound, downloaded from a.b |
| LB-3068 | 8/21/92 | Hamilton | 2 | | version "a"; Source: Low generation copy. No other |
| LB-3372 | 8/22/92 | Ottawa ON Landsdowne | 2 | A- | DM master?, D2t04 patched of two masters; |
| LB-4337 | 8/24/92 | Sudbury | 2 | B | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-4550 | 8/25/92 | Ontario | 2 | A- | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-5832 | 8/25/92 | Sault St. Marie | 2 | A- | version "a"; DATA DVD TRADE...just the flac |
| LB-1815 | 8/27/92 | Fort Williams Garden | 2 | B+ | Known features and flaws:, CDR from the master DAT |
| LB-2596 | 8/29/92 | Minneapolis | 2 | A- | from master; excellent sound [A-]; background |
| LB-4589 | 8/29/92 | Minneapolis | 2 | B+ | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-2597 | 8/30/92 | Minneapolis | 2 | A- | from master; excellent sound [A-] |
| LB-6835 | 8/30/92 | Minneapolis | 2 | | BOOTLEG: Friend of the Devil; cd > ultraplex > eac |
| LB-2598 | 8/31/92 | Minneapolis | 2 | A- | from master; excellent sound [A-]; background |
| LB-3225 | 9/2/92 | Minneapolis | 2 | A | from master; not much above 17k; excellent sound |
| LB-7697 | 9/2/92 | Minneapolis | 2 | A | version "a"; bittorrent download 06/09; torrenters |
| LB-3223 | 9/3/92 | Minneapolis | 2 | A- | from master; not much above 17k; excellent sound |
| LB-6289 | 9/3/92 | Minneapolis | 2 | A- | legendary taper F, cut after Rainy Day Women # 12 |
| LB-4584 | 9/5/92 | Omaha | 2 | A- | Taper: Glen Dundas, Source: AUdio disks from taper |
| LB-4495 | 9/6/92 | Kansas City | 2 | B+ | PDub Master: Sony D6 and sonic studios 6p mics > |
| LB-5499 | 9/8/92 | Little Rock | 2 | A- | Taper: No information., Source: Audio disks of |
| LB-1487 | 9/9/92 | Municipal Auditorium | 2 | A- | Improved Air Remasters 076 [tape sourced], Notes: |
| LB-4522 | 9/9/92 | Jackson | 2 | A | PDub Master: Sony D6 / Sonic Studios 6p mics > |
| LB-3599 | 9/11/92 | Pelham | 2 | A- | FLAC > azareus > torrent > dime > ......., data |
| LB-5396 | 9/11/92 | Birmingham | 2 | C+ | Stereo Recording, Lineage: DAT Master>Cass(XLIIS |
| LB-3235 | 9/12/92 | Pensacola | 2 | | AUD Cassette Master>DAT>CD>WAV>Soundforge 6.0>CD |
| LB-3238 | 9/13/92 | Lafayette | 2 | B+ | from 1st gen pw tapes, AUD Cassette |
| LB-4990 | 9/13/92 | Lafayette | 2 | B+ | PDub Master: Sonic Studios 6p mics > Sony D6 > |
| LB-2946 | 10/9/92 | Pittsburgh | 2 | B | taped by "ag"; low-gen; starts excellent sound |
| LB-5578 | 10/9/92 | Pittsburgh | 2 | B- | version "a"; bittorrent download 12/07; different |
| LB-0431 | 10/10/92 | Lock Haven | 2 | B- | good to very good sound ( a close eac match with |
| LB-0107 | 10/11/92 | Rochester | 2 | | very good to excellent sound; has a small hiss |
| LB-2953 | 10/11/92 | Rochester New York | 2 | A | Sonic Studios DSM-3 microphones > Sony D3 DAT |
| LB-3428 | 10/12/92 | Binghamton | 2 | B | Complete concert.; not much above 17k but does not |
| LB-6836 | 10/12/92 | Binghampton, NY | 2 | B | BOOTLEG: Dust My Broome; cd > ultraplex > eac > |
| LB-7267 | 10/12/92 | Binghamton, New York | 2 | A- | net taper M, Sennheiser MKE2002 -> portable |
| LB-6837 | 10/16/92 | Madison Square | 2 | | BOOTLEG: BobFest Rehearsals; cd > ultraplex > eac |
| LB-3176 | 10/23/92 | Newark | 2 | B+ | Taper: J.C., CVR:, lots of gaps removed, track |
| LB-3217 | 10/24/92 | Storrs | 2 | A | Taper: J.C., CVR:, lots of gaps removed, track |
| LB-1512 | 10/25/92 | PERFOMING ARTS | 2 | A | Remastered by Improved Air Remaster, December 22, |
| LB-4953 | 10/25/92 | Providence | 2 | A | version "a"; audio cd > xACT > FLACS > Azareus > |
| LB-4842 | 10/27/92 | Burlington | 2 | B+ | Lineage:, AUD Master (analog) > DAT Clone(s) > CD |
| LB-1510 | 10/28/92 | Paramount Performing | 2 | A | CDR (clean, thanks Chad) > EAC V0.95pb4 > WAV > |
| LB-3180 | 10/28/92 | Springfield | 2 | | Taper: J.C.; cvr; same recording as LB-1510 with |
| LB-0665 | 10/30/92 | Beverly. MA | 2 | A- | downloaded from a.b.m.s. 9/02 |
| LB-1877 | 10/30/92 | Beverly. MA | 2 | A- | version "a"; bittorrent download 06/04; same |
| LB-3181 | 10/30/92 | Beverly | 2 | A- | Taper: J.C.; cvr; same recording as LB-1877 with |
| LB-1473 | 11/1/92 | F.M. Kirby Center | 2 | B+ | Improved Air Remasters 077 [tape sourced], Notes: |
| LB-3182 | 11/1/92 | Wilkes-Barre | 2 | A | Taper: J.C.; cvr; same recording as Improved Air |
| LB-3208 | 11/1/92 | WILKES-BARRE | 2 | | version "a"; different recording than LB-3182 |
| LB-4095 | 11/1/92 | Wilkes-Barre | 2 | B | JTT; Very Good Audience Recording, This recording |
| LB-3673 | 11/2/92 | Youngstown | 2 | A | BOOTLEG: Himself; bootleg cd > ultraplex > eac > |
| LB-4998 | 11/3/92 | Cincinnati | 2 | A- | Unknown Audience Recording>CDR>EAC> FLAC LEVEL 5; |
| LB-3293 | 11/8/92 | Coral Gables | 2 | A | background talkig d1t2; excellent sound [A] |
| LB-1509 | 11/9/92 | Van Wezel Performing | 2 | A- | part of "Positively Potpourri" collection; Artwork |
| LB-2959 | 11/9/92 | Sarasota | 2 | A- | taped by "ag"; low-gen; bitorrented download 7/05; |
| LB-7585 | 11/9/92 | Sarasota, Florida | 2 | A- | version "b"; Source: Audience recording, Lineage: |
| LB-5046 | 11/11/92 | Clearwater | 2 | A- | Unknown Audience>CDR>EAC>FLAC LEVEL 5; bittorrent |
| LB-6370 | 11/11/92 | Clearwater, Florida | 2 | A | NTH; Rainy Day Women # 12 & 35 slightly incomplete |
| LB-2205 | 11/12/92 | UCF Arena | 2 | B+ | Source: aud, Lineage: ? > CD-Rs > EAC secure mode |
| LB-6389 | 11/12/92 | Orlando, Florida | 2 | B+ | net taper H, ?? -> portable DATrecorder - clone -> |
| LB-2949 | 11/13/92 | Sunrise | 2 | A- | taped by "ag"; low-gen;; excellent sound [A-]; |
| LB-4985 | 11/15/92 | West Palm Beach | 2 | B+ | Audience recording (Full spectrum) > Unknown |
| LB-5041 | 11/15/92 | West Palm Beach | 2 | B- | version "a"; Unknown Audience>CDR>EAC>FLAC LEVEL 5 |