| LB | Date | Location | CDR | Rating | Description |
| LB-0963 | xx/xx/00 | Hard To Find Vol. 5 | 1 | A | BOOTLEG: Hard To Find Vol. 5,; Various Rarities |
| LB-0440 | 3/10/00 | Anaheim | 1 | | early; excellent sound, aud, seems to have been |
| LB-2912 | 3/10/00 | Anaheim | 1 | A- | early show; From the original silver cd., iTunes > |
| LB-3779 | 3/10/00 | Anaheim | 1 | A | Late show, dataDVD SHN azareus > torrent, no info |
| LB-4380 | 3/10/00 | Anaheim | 2 | A | version "a", (Late Show), Size: 678MB, Trade > CDR |
| LB-7204 | 3/10/00 | Anaheim, Ca, USA | 1 | A | Early Show, Source: Sonic Studio Mics PA-6 > Sony |
| LB-3635 | 3/11/00 | Cal Poly University | 2 | A- | Ecxellent audience recording of another, fine 2000 |
| LB-5835 | 3/11/00 | San Luis Obispo | 2 | B+ | source: soomlos, center ga floor, core-sound |
| LB-6328 | 3/11/00 | San Luis Obispo | 2 | B- | version "b"; Lineage: trade cdrs > EAC (no errors) |
| LB-7162 | 3/11/00 | San Luis Obispo | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-4018 | 3/12/00 | Bakersfield | 2 | B+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-4101 | 3/12/00 | Bakersfield | 2 | A- | titled "This World Can't Stand Long"; cdr > EAC > |
| LB-5034 | 3/12/00 | Bakersfield | 2 | A- | fixed "This World can't Stand Long"; source:, |
| LB-7157 | 3/12/00 | Bakersfield, Ca, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-7279 | 3/12/00 | Bakersfield | 2 | A- | version "e"; source:, Dyl-Dough Cdr Escape, DYL |
| LB-4117 | 3/14/00 | Visalia | 2 | A | Audience recording > Unknown transfer > CDR(x) > |
| LB-6898 | 3/14/00 | Visalia | 2 | B+ | version "c"; Fair/Good Audience Recording, SOURCE: |
| LB-2752 | 3/15/00 | Santa Cruz Civic | 2 | A | CSHEB>D100; 44k dat > analog input otari cdr10 > |
| LB-2777 | 3/15/00 | Santa Cruz | 2 | A | Schoeps MK21>BR Box>M1, from well vine seeded by |
| LB-3784 | 3/15/00 | Santa Cruz | 3 | A | source: digital audience, recorded with schoeps |
| LB-4727 | 3/15/00 | Santa Cruz | 3 | A | dylantree.com tree version, important note:, disc |
| LB-6403 | 3/15/00 | Santa Cruz | 2 | A- | source: soomlos, center ga floor, core-sound |
| LB-7166 | 3/15/00 | Santa Cruz, Ca, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-2753 | 3/16/00 | Santa Cruz Civic | 2 | A | CSHEB>D100; 44k dat > analog input otari cdr10 > |
| LB-2754 | 3/16/00 | Santa Cruz Civic | 2 | A- | version "a"; -I first got a copy of this show from |
| LB-2778 | 3/16/00 | Santa Cruz Civic | 2 | A | Schoeps MK5(card)>BR Box, from well vine seeded by |
| LB-3785 | 3/16/00 | Santa Cruz, CA | | | see Bob Dylan 3/15/00, source: digital audience, |
| LB-7616 | 3/16/00 | Santa Cruz, CA | 2 | A | A Bigfoot Disc recorded and mastered to cdr by |
| LB-0936 | 3/17/00 | Reno | 2 | A | late show, excellent sound |
| LB-0954 | 3/17/00 | Reno | 1 | A | early, excellent sound; has limiting around -6db |
| LB-5736 | 3/17/00 | Reno | 2 | A- | (late show), source: soomlos, fob, center table, |
| LB-7163 | 3/17/00 | Reno, Nv, USA | 2 | A | Early Show, Source: Sonic Studio Mics PA-6 > Sony |
| LB-7164 | 3/17/00 | Reno, Nv, USA | 2 | A | Late Show, Source: Sonic Studio Mics PA-6 > Sony |
| LB-4118 | 3/19/00 | Pocatello | 2 | A | Audience recording > Unknown transfer > CDR(x) > |
| LB-5695 | 3/19/00 | Pocatello | 2 | B+ | source: soomlos, left center grandstand, |
| LB-0009 | 3/20/00 | Nampa, ID | 2 | B+ | from well vine, very good to excellent sound; |
| LB-2525 | 3/20/00 | Nampa, Idaho | 2 | A | version "a"; source unknown; bittorrent download |
| LB-4065 | 3/21/00 | Pullman | 2 | A- | Audience recording > Unknown transfer > CDR(x) > |
| LB-5841 | 3/21/00 | Pullman | 2 | A- | source: soomlos, 16th row center, core-sound |
| LB-4006 | 3/22/00 | Missoula | 2 | A- | Audience recording > Unknown transfer > CDR(x) > |
| LB-0942 | 3/24/00 | Bozeman, Montana | 2 | A- | excellent sound |
| LB-7341 | 3/24/00 | Bozeman, Montana | 2 | A- | version "a"; Unidentified taper, Source/Lineage: |
| LB-0943 | 3/25/00 | Billings, Montana | 2 | A- | very good to excellent sound, some occasional |
| LB-7354 | 3/25/00 | Billings, Montana | 2 | A | version "a"; Unidentified taper, Source/Lineage: |
| LB-4007 | 3/26/00 | Casper | 2 | A | Audience recording > CDR(x) > EAC (Secure/Offset) |
| LB-7367 | 3/26/00 | Casper, Wyoming | 2 | A | version "a'; Unidentified taper, Source/Lineage: |
| LB-3977 | 3/27/00 | Rapid City | 2 | B | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-7980 | 3/27/00 | Rapid City | 2 | B | version "a"; ***** Didn't find an LB-reference. |
| LB-3502 | 3/29/00 | Bismark N.D | 2 | C+ | I got the discs in a trade. Extracted with |
| LB-4343 | 3/29/00 | Bismarck | 2 | A | version "a"; audience recording, trade cd-r's > |
| LB-3787 | 3/30/00 | Fargo | 2 | | Decent audience recording., cd>wav>flac; |
| LB-3789 | 3/30/00 | Fargo, ND | 2 | A | version "a"; cdr trade > ultraplex > eac > wav > |
| LB-7374 | 3/30/00 | Fargo, North Dakota | 2 | A | version "b"; Unidentified taper, Source/Lineage: |
| LB-4019 | 3/31/00 | Rochester | 2 | A- | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-4022 | 3/31/00 | Rochester, MN | 2 | A- | 6th row center with Core Sound Binaurals > |
| LB-8293 | 3/31/00 | Rochester, Minnesota | 2 | A | sullylove; This was a weird set up on this night., |
| LB-4109 | 4/1/00 | Sioux Falls | 2 | B+ | Audience recording > ? > CDR(x) > EAC |
| LB-4110 | 4/1/00 | Sioux Falls | 2 | B+ | CSC (8th Row Center) > D8 > HHB 850 > DAE > Sound |
| LB-4906 | 4/1/00 | Sioux Falls | 2 | A- | Madhasse 2007 Remaster, Lossless |
| LB-3628 | 4/3/00 | Cedar Rapids | 2 | B+ | An excellent audience recording of a very good |
| LB-4000 | 4/4/00 | Omaha | 2 | A | Audience recording > ? > CDR(x) > EAC (Secure) > |
| LB-4001 | 4/4/00 | Omaha, NE | 2 | A- | 9th row and a little on the right side with Core |
| LB-7387 | 4/4/00 | Omaha, Nebraska | 2 | A- | version "b"; Unidentified taper, Source/Lineage: |
| LB-3074 | 4/5/00 | Salina | 2 | A- | excellent sound [A-]; only a little above 16k and |
| LB-2075 | 4/6/00 | Fillmore Auditorium | 2 | A | version "a"; bittorrent download 09/04; same |
| LB-5957 | 4/6/00 | Fillmore Auditorium | 2 | A | excellent sound, see flaws below |
| LB-6988 | 4/6/00 | Denver, Colorado | 2 | A | version "b"; Excellent Audience Recording, SOURCE: |
| LB-1342 | 5/6/00 | Zurich, Switzerland | 2 | A | Schubert 01; excellent sound |
| LB-7403 | 5/6/00 | Zurich, Switzerland | 2 | A | version "a"; no info about lineage and taper...; |
| LB-7425 | 5/6/00 | Zurich, Switzerland | 2 | A | Schubert-recorded-ASM, from trade HD (thanks to |
| LB-7442 | 5/6/00 | Zurich, Switzerland | 2 | A | version "c"; alternate recording, Stereo audience |
| LB-1341 | 5/8/00 | Stuttgart | 2 | A | Schubert 02; excellent sound, with additional |
| LB-4219 | 5/8/00 | Stuttgart | 2 | A | BOOTLEG: I'll Be Your Baby Tonight; Silver discs > |
| LB-4825 | 5/8/00 | Stuttgart | 2 | A | Source: Soundman OKM-IIr > Sony SBM-1 > Sony |
| LB-6323 | 5/8/00 | Stuttgart | 2 | A | recorded by NIM, trade>cdr>wav>flac; bittorrent |
| LB-8199 | 5/8/00 | Stuttgart | 1 | A | version "c"; SCHUBERT REC + ASM, FLAC audio files, |
| LB-1435 | 5/9/00 | Oberhausen, Germany | 2 | A | recorded and mastered by Schubert; excellent sound |
| LB-1190 | 5/11/00 | Cologne, Germany | 2 | A | excellent sound; Schubert's recording of Cologne |
| LB-3211 | 5/11/00 | Cologne, Germany | 2 | A- | (Rattlesnake 038/039) From my original silver cds. |
| LB-7454 | 5/11/00 | Cologne | 2 | B+ | BOOTLEG: DON'T TALK TO STRANGERS; Strange Records |
| LB-8203 | 5/11/00 | Cologne | 2 | A | version "f"; SCHUBERT REC + ASM, FLAC audio files, |
| LB-1155 | 5/12/00 | Hannover | 2 | A | Schubert's recording of Hannover, May 12, 2000, |
| LB-4618 | 5/12/00 | Hannover | 2 | A | version "c"; My copy of this show dates back to |
| LB-4619 | 5/12/00 | Hanover, Germany | 2 | A- | Sonic Studio DSM6-S>D7, (tao gaps were fixed |
| LB-5085 | 5/12/00 | Hannover | 2 | A | Taper: "Bach", Linieage: OKM II R > Sony Dat |
| LB-1434 | 5/13/00 | Lund | 2 | A | recorded and mastered by Schubert; excellent sound |
| LB-3038 | 5/14/00 | Gothenburg | 2 | A- | A terrific recording*****, Lineage: CD Boot > EAC |
| LB-3979 | 5/14/00 | Scandinavium | 2 | A- | Core Sound Binaurals, Sharp MD-702, CDR, EAC, WAV, |
| LB-3984 | 5/16/00 | Helsinki | 2 | A- | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-1995 | 5/18/00 | Globe Arena | 2 | A | BOOTLEG: OH ME OH MY COUNTRY PIE; Crystal Cat |
| LB-3970 | 5/18/00 | Globe Arena | 2 | A | Core Sound Binaurals - Sharp MD-702 - CDR - EAC - |
| LB-1437 | 5/19/00 | Oslo | 2 | A- | Schubert; excellent sound; (also seen this tracked |
| LB-3459 | 5/19/00 | Oslo, Norway | 2 | B+ | The End Of Time (has just begun) (off master), I |
| LB-4601 | 5/19/00 | Spektrum, Oslo | 2 | B+ | THB Off-Master, This is a different source than |
| LB-5703 | 5/19/00 | Oslo | 2 | A- | MM, lineage, Core Sound Binaurals -> DAT - clone |
| LB-2516 | 5/21/00 | Horsens Theater | 2 | A- | BOOTLEG: Horsens Theater; Crystal Cat / CC 526-27; |
| LB-5564 | 5/21/00 | Horsens | 2 | A- | Off DAT clone(s), NET Taper B, Source/Linage:, OKM |
| LB-5618 | 5/21/00 | Horsens | 2 | A- | Recorded by unknown, Lineage: unknown, Remastered |
| LB-5685 | 5/21/00 | Horsens | 2 | A- | schubert remaster 2008; Recorded by: unknown, |
| LB-5707 | 5/21/00 | Horsens NY Teater | 2 | A | Recorded by: bach, Lineage: OKM II -> TCD-D100, |
| LB-5796 | 5/21/00 | Horsens NY Teater | 2 | A | version "e"; Recorded by: bach, Lineage: OKM II |
| LB-7669 | 5/21/00 | Horsens, Denmark | 2 | A- | BOOTLEG: Horsens Teater; version "f"; Manufacturer |
| LB-1438 | 5/23/00 | Berlin | 2 | A | Schubert; excellent sound; has only a little above |
| LB-4220 | 5/23/00 | Berlin Arena | 2 | A | BOOTLEG: Somebody Touched Me; Silver disc > EAC > |
| LB-4572 | 5/23/00 | Berlin; Germany | 2 | A | a schubert recording, with additional |
| LB-3386 | 5/24/00 | Dresden, Germany | 2 | A- | BOOTLEG: Happy Birthday; SILVER CD > EAC > WAV > |
| LB-4446 | 5/24/00 | Dresden; Germany - | 2 | A | schubert; 60th Birthday Party, "I Will Remember |
| LB-5713 | 5/24/00 | Dresden, Germany | 2 | A- | Taper: "Bach", Linieage: OKM II R > Sony Dat |
| LB-1439 | 5/25/00 | Regensburg | 2 | A | Schubert; excellent sound, background talking d1t1 |
| LB-1440 | 5/27/00 | Modena | 2 | A | recorded and mastered by Schubert; excellent sound |
| LB-4541 | 5/27/00 | Modena | 2 | A- | Taper: "Bach", Lineage > OKM II R > Sony DAT |
| LB-7481 | 5/27/00 | Modena, Italy | 2 | B+ | version "b'; Very Good Audience Recording, |
| LB-2019 | 5/28/00 | Palavobis | 2 | A | from dat master; excellent sound; (a bittorrent |
| LB-3833 | 5/28/00 | Milano Palavobi | 2 | | version "a"; Excellent audience recording, an |
| LB-5180 | 5/28/00 | Milano | 2 | A | Taper: "Bach", Linieage: OKM II R > Sony Dat |
| LB-5250 | 5/28/00 | Milan | 2 | A | Unknown Audience>CDR>EAC>FLAC LEVEL 5; bittorrent |
| LB-1477 | 5/30/00 | Florence | 2 | A- | recording and soundmastering by Schubert; lots of |
| LB-5822 | 5/30/00 | FLORENCE | 2 | B | version "a"; EAC-Traders little helper-HC; |
| LB-5825 | 5/30/00 | Florence, Italy | 2 | B | version "b"; very good sound, a little tinny & |
| LB-3962 | 5/31/00 | Ancona | 2 | A- | Audience recording > ? > CDR(x) > EAC (Secure) > |
| LB-7408 | 5/31/00 | Ancona | 2 | A- | version "a"; No info about taper and lineage bou |
| LB-1443 | 6/2/00 | Cagliari, Italy | 2 | A | Schubert, excellent sound; some brief spots of |
| LB-1471 | 6/15/00 | Roseland Theater | 2 | B+ | Conversion: CDR>EAC(secure)>MKW Audio Compression |
| LB-2561 | 6/15/00 | Roseland Theatre - | 2 | A- | Neumann Km184>D8>Cdr>Eac>Goldwave>Cdwav>Flac, |
| LB-5361 | 6/15/00 | Portland | 2 | A- | version "b"; ROSELAND THEATER, no label 2CDR, |
| LB-6523 | 6/15/00 | Portland Oregon | 2 | B+ | version "d"; Taper: Unidentified, Source: audio |
| LB-6932 | 6/15/00 | Portland, Oregon | 2 | B+ | JTT; Although there have been a couple of copies |
| LB-1666 | 6/16/00 | Portland, OR | 2 | A | version "a"; ; has tv band on d1t3; (did not |
| LB-2549 | 6/16/00 | Portland Meadows - | 2 | A | Neumann Km184>D8>Cdr>Eac>Flac, Opened For Phil |
| LB-6530 | 6/16/00 | Portland, OR | 2 | A | version "c"; Taper: Unidentified, Source: audio |
| LB-0006 | 6/17/00 | George, WA | 2 | A | CSHEB w/ bass roll-off active > M1, excellent to |
| LB-3185 | 6/17/00 | George | 2 | A- | version "a";, CDR -> WAV -> FLAC, Not sure which |
| LB-4324 | 6/17/00 | George | 2 | A | version "b"; Taper/lineage: unknown, An excellent |
| LB-6544 | 6/17/00 | George | 2 | A | version "c"; Taper: Unidentified, Source: audio |
| LB-0005 | 6/18/00 | George, WA | 2 | A | CSHEB w/ bass roll-off active > M1, excellent to |
| LB-2135 | 6/18/00 | Washington State | 2 | A- | BOOTLEG: Columbia Recorded Artist; Review:, This |
| LB-6549 | 6/18/00 | George, WA | 2 | A | version "b"; Taper: Unidentified, Source: ausio |
| LB-1664 | 6/20/00 | Medford, OR | 2 | A | version "a"; same recording as previous except |
| LB-2457 | 6/20/00 | Medford | 2 | A- | version "b", "Crash On the Levee", Source:, |
| LB-6553 | 6/20/00 | Medford | 2 | A | version "c"; Taper: Unidentified, Source: audio |
| LB-1373 | 6/21/00 | Marysville, CA | 2 | A | JT series; excellent sound |
| LB-1667 | 6/21/00 | Marysville, CA | 2 | | version "a", nothing above 16k but does not have |
| LB-2740 | 6/21/00 | Marysville | 2 | A | DPA 4061's -> D8, seats: (Sec3, Row 11, Seat 3), |
| LB-6556 | 6/21/00 | Marysville, CA | 2 | A | version "d"; Taper: Unidentified, Source: audio |
| LB-6558 | 6/21/00 | Marysville, CA | 2 | A | version "b"; trade cdr > eac > wav > flac;; in |
| LB-1408 | 6/23/00 | Concord | 2 | A | JT series; excellent sound (note shn file source |
| LB-2538 | 6/23/00 | Chronicle Pavilion | 2 | A- | CSHEB>D100>44k dat; 10th row, left of left hanging |
| LB-8158 | 6/23/00 | Concord, California | 2 | A | version "b"; Taper: Unidentified., Source: Audio |
| LB-2541 | 6/24/00 | Mountain View | 2 | A- | CSHEB>D100>44k dat; 15th row just to left of left |
| LB-2542 | 6/24/00 | Shoreline | 2 | A- | SOURCE : AUD recording of unknown generation, |
| LB-6490 | 6/24/00 | Mountain View | 2 | A | version "b"; Taper: Unidentified., Source: Audio |
| LB-0046 | 6/25/00 | Reno Hilton | 2 | A- | downloaded from alt.binaries.music.shn 6/01; |
| LB-3956 | 6/27/00 | Las Vegas | 2 | A | Audience recording > ? > Trade CDR > EAC (Secure) |
| LB-6479 | 6/27/00 | Las Vegas, Nevada | 2 | A- | version "b"; Taper: Unidentified., Source: audio |
| LB-6928 | 6/27/00 | Las Vegas, Nevada | 2 | A | JTT; Excellent Audience Recording, SOURCE: DAT |
| LB-3936 | 6/29/00 | Irvine, California | 2 | A | version "b"; trade cdrs > eac > wav > flac; |
| LB-3937 | 6/29/00 | Irvine | 2 | B+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-6929 | 6/29/00 | Irvine, California | 2 | B | JTT; Very Good Audience Recording, SOURCE: DAT |
| LB-0016 | 6/30/00 | Ventura | 2 | A | brief upfront talking on d1t7 and some occasional |
| LB-6734 | 6/30/00 | Ventura, California | 2 | B+ | JTT; Very Good Audience Recording, SOURCE: DAT |
| LB-0008 | 7/1/00 | Del Mar Fairgrounds | 2 | A- | excellent sound (a bittorrent on 12/04 did same |
| LB-1695 | 7/1/00 | Del Mar Fairgrounds | 2 | A- | Source: Audience DAT recording, Lineage: DAT > |
| LB-6931 | 7/1/00 | Del Mar, California | 2 | B- | JTT; Fair/Good Audience Recording, SOURCE: |
| LB-2414 | 7/3/00 | Albuquerque | 2 | A | from dat master;; excellent sound [A] |
| LB-6545 | 7/3/00 | Albuquerque | 2 | B | version "a"; Taper: Unidentified., Source: audio |
| LB-4004 | 7/6/00 | Oklahoma City | 1 | B | Audience recording > Unknown transfer > CDR(x) > |
| LB-6563 | 7/6/00 | Oklahoma City | 2 | B+ | version "a"; Taper: Unidentified, Source: audio |
| LB-3961 | 7/7/00 | Bonner Springs | 2 | A- | Audience recording > ? > Trade CDR > EAC (Secure) |
| LB-3963 | 7/7/00 | Bonner Springs | 2 | B | version "a"; very good sound, mics have funny |
| LB-5068 | 7/7/00 | Bonner Springs | 2 | B+ | From Master Tapes, Sony D-6 w/ Sonic Studios>Cool |
| LB-6559 | 7/7/00 | Bonner Springs | 2 | A- | version "c"; Taper: Unidentified., Source: audio |
| LB-4017 | 7/8/00 | Maryland Heights | 2 | B | Trade > CDR > .Aiff > xACT > .FLAC; bittorrent |
| LB-5208 | 7/8/00 | Maryland Heights | 2 | B | version "a"; Audience MD recording > MD(m) > |
| LB-6996 | 7/8/00 | Maryland Heights | 2 | A | mes |
| LB-3971 | 7/9/00 | Noblesville | 2 | C+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-3972 | 7/9/00 | Noblesville, IN | 2 | A- | version "a"; trade cdr > ultraplex > eac > wav > |
| LB-6997 | 7/9/00 | Noblesville, IN | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-3933 | 7/11/00 | Cincinnati | 2 | A- | Audience recording > ? > Trade CDR > EAC (Secure) |
| LB-6963 | 7/11/00 | Cincinnati | 2 | A- | version "a"; Taper: Unidentified, Source: audio |
| LB-3934 | 7/12/00 | Moline | 2 | B+ | Audience recording > ? > FLAC > Trade DVD > HD > |
| LB-3953 | 7/14/00 | Minneapolis | 2 | B+ | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-7006 | 7/14/00 | Minneapolis, MN | 1 | A | sbd inc; Phil Lesh And Friends / Bob Dylan, |
| LB-7023 | 7/14/00 | Minneapolis, MN | 1 | A | Soundboard,, Incomplete; LTA remaster; Soundboard |
| LB-0030 | 7/15/00 | Alpine Valley Music | 2 | A- | Neumann KM-184s-> Denecke PS-2-> INBOX-> M1, FOB/ |
| LB-0004 | 7/16/00 | Clarkston, MI | 2 | | very good to excellent sound, brief talking; most |
| LB-7106 | 7/16/00 | Clarkston | 2 | B+ | version "a"; No source information, Audio CDR to |
| LB-3104 | 7/18/00 | Toronto | 2 | A- | An additional sound master (ASM), Lineage: Audio |
| LB-5696 | 7/18/00 | Toronto | 2 | A- | Luisbp51; An additional sound master (ASM) by my |
| LB-3322 | 7/19/00 | Canandaigua | 2 | B | unknown source; just a little above 17k; has lego |
| LB-3323 | 7/19/00 | Canandaigua | 2 | A- | version "a"; trade cdr > ultraplex > eac > wav > |
| LB-7241 | 7/19/00 | Canandaigua | 2 | B+ | version "b"; Unidentified taper, Source/Lineage: |
| LB-3957 | 7/21/00 | Hartford | 2 | A | Audience recording > ? > CDR > EAC (Secure) > WAV |
| LB-6506 | 7/21/00 | Hartford | 2 | A | version "a"; Taper: Unidentified., Source: audio |
| LB-7242 | 7/21/00 | Hartford | 2 | A- | Olav ASM, Unidentified taper, Source/Lineage: no |
| LB-3168 | 7/22/00 | Mansfield | 2 | A | Unwanted Man Music 009, "Don't Get Up Gentlemen", |
| LB-4221 | 7/22/00 | Mansfield | 2 | B+ | BOOTLEG: Things Have Changed; Commercial cdr > EAC |
| LB-6502 | 7/22/00 | Mansfield | 2 | A | versio "c"; Yaper: Unidentified, Source: Audio |
| LB-6503 | 7/22/00 | Mansfield, MA | 2 | B+ | version "d"; trade cdr > ultraplex > eac > wav > |
| LB-3960 | 7/23/00 | Saratoga Springs | 2 | A- | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-4471 | 7/23/00 | Saratoga Springs | 2 | B+ | version "a"; Source: DAT Master, FOB Audience |
| LB-6497 | 7/23/00 | Saratoga Springs | 2 | A | version "b";Taper: Unidentified., Mics: There is a |
| LB-1526 | 7/25/00 | Scranton | 2 | A- | CDR (clean) > EAC V0.95pb4 > WAV > FLAC Installer |
| LB-0519 | 7/26/00 | Jones Beach | 2 | B+ | from from shn download phil's ftp server 11/00, |
| LB-2714 | 7/26/00 | Wantagh, NY | 2 | A- | version "a"; excellent sound [A-]; has lots of |
| LB-6513 | 7/26/00 | Wantagh, NY | 2 | A- | version "c"; Taper: Unidentified, Source: Audio |
| LB-8224 | 7/26/00 | Wantagh, NY | 2 | B- | version "d"; bittorrent download 12/09; lots of |
| LB-0002 | 7/28/00 | Camden, NJ | 2 | A | excellent sound (a sort of close eac match with a |
| LB-6508 | 7/28/00 | Camden, NJ | 2 | A | version "a", Taper: Unidentified, Source: audio |
| LB-4005 | 7/29/00 | Columbia | 2 | B | Audience recording > Unknown transfer > CDR(x) > |
| LB-5364 | 7/29/00 | Columbia | 2 | A- | version "a"; In honor of Bob's fifth show at |
| LB-7078 | 7/29/00 | Columbia, Maryland | 2 | A- | Luisbp51; Audience recording from a data DVD I |
| LB-7083 | 7/29/00 | Columbia, Maryland | 2 | A- | fixed Luisbp51; This is a fixed version of my |
| LB-0003 | 7/30/00 | Stanhope, NJ | 2 | | excellent to outstanding sound |
| LB-3256 | 7/30/00 | Stanhope | 2 | A | REMASTERED BY SCHUBERT, No information about the |
| LB-3566 | 7/30/00 | Waterloo Village | 2 | B+ | version "a"; bittorrent download 02/06; nothng |
| LB-5179 | 7/30/00 | Stanhope | 2 | A | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
| LB-0050 | 9/13/00 | Dublin Vicar St | 2 | A | BOOTLEG: Bob Dylan - Dublin Vicar St; excellent |
| LB-5851 | 9/13/00 | Dublin | 2 | A | net taper A, CSHEB -> portable DAT-recorder - |
| LB-0049 | 9/14/00 | The Point Theatre | 2 | A | BOOTLEG: Bob Dylan - Dublin Point Theatre; Crystal |
| LB-4288 | 9/14/00 | Dublin | 2 | A | Taper: NTE; bittorrent download 11/06; different |
| LB-4472 | 9/14/00 | Dublin | 2 | A- | Taper: Bach raw Version, Lineage: Neumann AK40 > |
| LB-6047 | 9/14/00 | Dublin, Ireland | 2 | A | recorded by Schubert, Neumann SKM140 -> Neumann |
| LB-6076 | 9/14/00 | Dublin, Ireland | 2 | A | raw schubert ssrc; recorded by Schubert, Neumann |
| LB-0029 | 9/16/00 | Aberdeen, Scotland | 2 | | Sonic Studios DSMs>D7, from well vine, excellent |
| LB-0895 | 9/16/00 | Aberdeen Scotland | 2 | A | BOOTLEG: Aberdeen 2000; Crystal Cat Silver-sourced |
| LB-1444 | 9/16/00 | Aberdeen Scotland | 2 | A | Schubert, excellent sound (an exact eac match was |
| LB-4740 | 9/16/00 | Aberdeen Scotland | 2 | A | Taper: NET TAPER E, Source: Low-gen audio disks > |
| LB-0019 | 9/17/00 | Glasgow, Scotland | 2 | A | Neuman mics > 44k dats > midiman delta dio 2496 > |
| LB-1491 | 9/17/00 | Glasgow; | 2 | A | Schubert; with additional SoundMastering (a |
| LB-3291 | 9/17/00 | Glasgow | 2 | | Crystal Cat (553-54), For Andrew, who I believe, |
| LB-4488 | 9/17/00 | Glasgow | 2 | A- | Taper: Bach, Lineage: Neumann AK40 > MTX 191 A > |
| LB-0051 | 9/19/00 | Telewest Arena | 2 | A- | BOOTLEG: Bob Dylan - Newcastle Telewest Arena,; |
| LB-4483 | 9/19/00 | Newcastle | 2 | A | Taper: Bach, Lineage: Neumann AK40 > MTX 191 A > |
| LB-0020 | 9/20/00 | Birmingham, England | 2 | A- | (AUD DAT-3), ([NEU], 48k dat>midiman delta dio |
| LB-1494 | 9/20/00 | Birmingham, England | 2 | A | Schubert; some brief upfront taking d1t9 3:3x; |
| LB-2195 | 9/20/00 | Birmingham, England | 2 | A- | Schubert remaster (presumed since it is the |
| LB-2461 | 9/20/00 | Birmingham UK | 2 | A- | BOOTLEG: Birmingham 2000; Liberated Boot: C/Cat |
| LB-4458 | 9/20/00 | Birmingham; England | 2 | A | Schubert-Rec+ASM; Technical Information, Neumann |
| LB-4486 | 9/20/00 | Birmingham | 2 | A- | Taper: Bach, Lineage: Neumann AK40 > MTX 191 A > |
| LB-0015 | 9/22/00 | Sheffield | 2 | | Recording: Schoeps ccm4v > Sound Devices MP-2 > M1 |
| LB-2197 | 9/22/00 | Sheffield Arena | 2 | A | version "a"; excellent sound [A]; in comparison to |
| LB-3598 | 9/22/00 | Sheffield Arena | 2 | A | version "b"; Crystal Cat, Another wonderful |
| LB-0047 | 9/23/00 | International Arena | 2 | | BOOTLEG: Bob Dylan - Cardiff International Arena,; |
| LB-1653 | 9/23/00 | Cardiff | 2 | A | Schubert; excellent sound (an exact eac match was |
| LB-5686 | 9/23/00 | Cardiff | 2 | A | raw; Recorded by: schubert, Lineage: Neumann |
| LB-0014 | 9/24/00 | Portsmouth | 2 | A | Recording: CSHEB (DPA 4061) > DAT, Transfer: D8 > |
| LB-3804 | 9/24/00 | Portsmouth | 2 | A | Recording: Schoeps ccm4vs (same source as treed |
| LB-4862 | 9/24/00 | Portsmouth | 2 | A | BOOTLEG: First Evening; Crystal Cat 563-564, All |
| LB-7459 | 9/24/00 | Portsmouth, UK | 2 | A- | BOOTLEG: FROM PORTSMOUTH TO PARIS; TSE 2004-2 2D, |
| LB-0034 | 9/25/00 | Portsmouth | 2 | A | Recording: Schoeps ccm4vs (same source as treed |
| LB-1897 | 9/25/00 | Guild Hall | 2 | A | BOOTLEG: Second Evening; crystal cat; bittorrent |
| LB-6043 | 9/25/00 | Portsmouth, England | 2 | A | version "b"; transferer now 99% sure this is |
| LB-1530 | 9/27/00 | Ahoy (Rotterdam | 2 | B+ | BOOTLEG: DON'T WASTE YOUR WORDS; Rattlesnake 45/46 |
| LB-1999 | 9/27/00 | The Ahoy | 2 | B+ | BOOTLEG: Don't Waste Your Words; Rattle Snake / |
| LB-4335 | 9/27/00 | Rotterdam | 2 | A- | br; Source: Sound Professionals SP-BMC-1 |
| LB-1156 | 9/28/00 | Hamburg | 2 | A | Schubert's recording of Hamburg, September 28, |
| LB-5268 | 9/28/00 | Hamburg | 2 | A | version "a"; request, audio trade > no info, audio |
| LB-0052 | 9/29/00 | Jahrhunderthalle | 2 | A | Crystal Cat Records 567-68 |
| LB-0920 | 9/29/00 | Frankfurt | 2 | A | Recorded by Mr. Schubert using 2 DATs with 4 mics, |
| LB-5718 | 9/29/00 | Frankfurt | 2 | A | Taper: "Bach", Lineage: Neumann AK40 > MTX 191 A > |
| LB-1553 | 10/1/00 | Munster, Germany | 2 | A | dat recording by Schubert; excellent sound; (a |
| LB-2579 | 10/1/00 | Munster, Germany | 2 | A | BOOTLEG: Munster 2000; Crystal Cat Records; |
| LB-4476 | 10/1/00 | Munster | 2 | A | BOOTLEG: True Love Needs No Company; Ecellent |
| LB-1146 | 10/2/00 | Brussels | 2 | B | Schubert's recording, "with additional |
| LB-2198 | 10/2/00 | Voorst Nationaal | 2 | A | version "a"; excellent sound [A]; in comparison to |
| LB-4330 | 10/2/00 | Brussels | 2 | A | A zimmy21 recording, Sound quality : very good !!, |
| LB-4839 | 10/2/00 | Brussels | 2 | A | Off DAT master, Taper: Vito, Source/Linage:, OKM |
| LB-6016 | 10/2/00 | Brussels | 2 | A | Schubert; with additional SoundMastering (a |
| LB-0985 | 10/3/00 | Paris | 2 | A | BOOTLEG: Paris Le Zenith 2000; crystal cat version |
| LB-1557 | 10/3/00 | Paris | 2 | A | Schubert; excellent sound ; (a bittorrent from |
| LB-0013 | 10/5/00 | London | 2 | A | (AUD DAT-2), rated A, B&K 4061 mic sets in |
| LB-0922 | 10/5/00 | London Wembley Arena | 2 | A | BOOTLEG: First Evening 2000; Silver-sourced SHNs, |
| LB-1493 | 10/5/00 | London | 2 | A | Schubert;; excellent sound (an exact eac match was |
| LB-7851 | 10/6/00 | London UK | 2 | A | BOOTLEG: London Wembley Arena Second Evening; |
| LB-4035 | 10/29/00 | Madison | 2 | A | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-4037 | 10/29/00 | Kohl Center, Madison | 2 | A | version "a"; different recording than LB-4035 as |
| LB-6566 | 10/29/00 | Madison | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-6589 | 10/29/00 | Madison, Wisconsin | 2 | A- | version "c"; Alternative recording to Lossless Bob |
| LB-3925 | 10/31/00 | Evanston | 2 | A- | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-4621 | 10/31/00 | Evanston | 2 | A- | Taper: NET Taper A (a misnomer, as the taper in |
| LB-6569 | 10/31/00 | Evanston | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-7170 | 10/31/00 | Evanston, Il | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-3529 | 11/1/00 | Bloomington | 2 | A | Bloomington, Indiana, DAT>CDr(2)>EAC(secure |
| LB-7119 | 11/1/00 | Bloomington | 2 | A | version "a"; Notes:, Low recordings levels at very |
| LB-0028 | 11/2/00 | W. Lafayette | 2 | A | Unknown DAUD* > CDR > SHN, excellent to |
| LB-6609 | 11/2/00 | West Lafayette | 2 | B+ | version "a"; Alternative recording to LB-28, Trade |
| LB-7120 | 11/2/00 | West Lafayette | 2 | A | version "b"; Notes:, Originally recorded to DAT at |
| LB-3926 | 11/4/00 | Oxford | 2 | A | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), I |
| LB-0031 | 11/5/00 | Hill Auditorium | 2 | A- | Source: Neumann KM140 > Sonosax > TCD-D8; |
| LB-6677 | 11/5/00 | Ann Arbor | 2 | A- | version "a"; Audience Recording, SOURCE: CDRs > |
| LB-3927 | 11/6/00 | Pittsburgh | 2 | B+ | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-6572 | 11/6/00 | Pittsburgh | 2 | A- | version "a"; Taper: Unidentified, Source: audio |
| LB-2176 | 11/8/00 | Stabler Arena | 2 | A | excellent sound [A] |
| LB-3554 | 11/8/00 | Bethlehem | 2 | A | Source: soomlos, FOB, Center, Core-Sound > Sony D8 |
| LB-5317 | 11/8/00 | Bethlehem | 2 | A | Taper: NET Taper E, Source: lo-gen audio disks > |
| LB-2901 | 11/10/00 | Boston | 2 | B | Taped by downfromtheglen from center-stage, row 14 |
| LB-5301 | 11/10/00 | Boston | 2 | A | Taper: NET Taper E, Source: low-gen audio disks > |
| LB-3170 | 11/11/00 | Lowell | 2 | A | Unwanted Man Music 011, "Searching for Kerouac's |
| LB-5311 | 11/11/00 | Lowell | 2 | A | Taper: NET Taper E, Source: low-gen audio disks > |
| LB-6614 | 11/11/00 | Lowell, MA | 2 | A- | version "b"; Alternative recording to Unwanted Man |
| LB-0032 | 11/12/00 | Kingston | 2 | A | Recording: Schoeps ccm4v > Sound Devices MP-2 > M1 |
| LB-3763 | 11/12/00 | Kingston R | 2 | | Jman; A+ Performance, Previously uncirculated |
| LB-5522 | 11/12/00 | Kingston | 2 | A- | source: soomlos, fob center floor, core-sound |
| LB-3272 | 11/13/00 | Lewiston | 2 | A | unknown source; excellent sound [A]; background |
| LB-7219 | 11/13/00 | Lewiston, Maine | 2 | A | version "a"; Unidentified taper, Source/Lineage: |
| LB-3928 | 11/15/00 | Salisbury | 2 | B+ | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-7978 | 11/15/00 | Salisbury, Maryland | 2 | B+ | version "a"; ***** This is MOST LIKELY the same |
| LB-3931 | 11/17/00 | Princeton | 2 | A- | Trade CDR > EAC (Secure) > WAV > Audacity > WAV > |
| LB-4186 | 11/17/00 | Princeton | 2 | B | version "a"; very special.........., audioCD (THX |
| LB-4391 | 11/17/00 | Princeton | 2 | A- | source: soomlos, fob, center, ga floor, core-sound |
| LB-3275 | 11/18/00 | Atlantic City | 2 | A | Early show; no info about source; excellent sound |
| LB-3276 | 11/18/00 | Atlantic City | 2 | A | Late show, In cd1-track2 and cd1-track3 there are |
| LB-3550 | 11/18/00 | Atlantic City | 2 | A | Late show, Source: soomlos, FOB, Center Left, |
| LB-3585 | 11/18/00 | Atlantic City | 2 | B | version "a":(early show); bittorrent download |
| LB-5217 | 11/18/00 | Atlantic City | 3 | A | Taper: NET Taper E, Source: Low-gen audio disks > |
| LB-0033 | 11/19/00 | Towson, MD | 2 | B+ | very good to excellent sound, some talking in the |
| LB-2232 | 11/19/00 | Towson | 2 | B | version "a"; Audience Recording Sound A/A+, Some |
| LB-6533 | 11/19/00 | Towson | 2 | A | version "c"; Taper: Unidentified., Source: audio |
| LB-7079 | 11/19/00 | Towson, Maryland | 2 | A | version "d"; Alternative recording to those |