|10/10/01||Sacramento, CA, Memorial Auditorium||2||A||70min +53min|
Location: Mic stand at soundboard area; Recording: Schoeps MK4/CMC5 > Zefiro InBox > Tascam DA-P1, Transfer: DAT > ? > SHN
(a bittorrent from 07/09 is a close eac match on d1t1 with same digital flaws plus discontinuities between tracks; described as "Most likely same recording and transfer as LB-0448 or maybe even derived from, based on same discs split and track times. Only difference is last track on every disk being 00:02.02 shorter than the mentioned LB, probably because of 2 seconds silence removed at end of each disk), Lineage: Cd-R (of unknown gen) > wav (eac secure mode) > wav (Adobe audition 1.0 / d1t12 repairs) > flac (flac frontend 1.1.3 - align on SB option - level 8 - verify on), Repaired flaws:, d1t12 @ [3:55.041-218] [3:58.827-59.117] [4:02.417-611] [4:15.553-830] light pop/scratches removed" with filenames like "d1\Track01.flac");
(a bittorrent from 07/10 is a close eac match on d1t1 with same digital flaws; described as "Lineage - audio cd-r's > eac secure offset > wav > flac 8" with filenames like "d1\01-Wait for the Light to Shine.flac"; xref-00477)
01/11 comment from taper: "In 2001 Dylan specifically let myself and a friend tape 4 shows. We taped Sacramento, San Jose, SF and Santa Barbara with Schoeps on a stand 12 ft high directly in front of the stage. IF you were there you saw us. He also released a limited live CD in Japan in 2000 that has a song taken from my tape of Santa Cruz in 2000. Dylan loves to listen to live tapes of himself."