| LB | Date | Location | CDR | Rating | Description |
|---|
| LB-7086 | 10/24/08 | Vancouver | 2 | B+ | DGB - Boguspomp; Audience 131.30 mins, Mastercopy |
| LB-7085 | 6/30/07 | Bethel | 2 | A | BOOTLEG: I Don't Believe It; Taper: Unidentified, |
| LB-7084 | 5/14/98 | Vancouver | 2 | B+ | version "a"; aud>?>cdr(x)>flac, md5 checked with |
| LB-7083 | 7/29/00 | Columbia, Maryland | 2 | A- | fixed Luisbp51; This is a fixed version of my |
| LB-7082 | 10/19/01 | Los Angeles, CA | 2 | A | version "a"; Alternative recording to LB-484, the |
| LB-7081 | 5/13/98 | Vancouver | 2 | A- | version "a"; aud>?>cdr (x)>flac, md5 checked with |
| LB-7080 | 5/3/94 | Evansville, Indiana | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
| LB-7079 | 11/19/00 | Towson, Maryland | 2 | A | version "d"; Alternative recording to those |
| LB-7078 | 7/29/00 | Columbia, Maryland | 2 | A- | Luisbp51; Audience recording from a data DVD I |
| LB-7077 | 9/8/99 | Antioch, Tennessee | 2 | A- | BOOTLEG: World Full of Lies; Thinman / 066/067, |
| LB-7076 | 9/1/08 | Las Vegas | 2 | C | musiclists; Audience recording, Zoom H2 > Audacity |
| LB-7075 | 2/18/99 | Stabler Arena | 3 | B+ | BOOTLEG: Someone's Distant Cry; Thinman / |
| LB-7074 | 10/12/90 | Springfield, MA | 1 | B | Recorded by "JF", Equipment: Sennheiser MKE 2002 |
| LB-7073 | 1/10/74 | Toronto | 2 | B | BOOTLEG: As I Went Out One Evening; Be Twisted / |
| LB-7072 | 6/29/90 | Roskilde, Denmark | 2 | B+ | Trade discs > EAC > flac level 6, Excellent sound, |
| LB-7071 | 7/3/89 | Milwaukee, Wisconsin | 2 | B | legendary taper F, cut before To Ramona, encore, |
| LB-7070 | 2/26/03 | Christchurch | 2 | B | version "b"; Have not seen this one around, so I'm |
| LB-7069 | 10/31/75 | Plymouth, MA | 2 | A | sbd; LTA Remaster, Sources:, Source 1: WV |
| LB-7068 | 7/17/94 | Krak?w, Poland | 1 | A | BOOTLEG: Shelter from the Storm; THINMAN / 011, |
| LB-7067 | 6/14/05 | Bowie, MD | 2 | A | BOOTLEG: This Show's On Fire, Tambourine Man; |
| LB-7066 | 3/26/95 | Brighton, UK | 2 | A | BOOTLEG: Train On Down to Brighton; Taper: |
| LB-7065 | 4/24/80 | Montreal | 2 | B- | version "a"; Taper: Unidentified, Source: audio |
| LB-7064 | 4/23/93 | New Orleans, La | 2 | A | Source: Sonic Studio Mics > Sony D3, Transfer: DAT |
| LB-7063 | 9/30/78 | New York City | 2 | A- | version "b"; Taper: Unidentified, Source: Audio |
| LB-7062 | 4/23/80 | Montreal | 2 | B- | version "a"; Taper: Unidentified, Source: audio |
| LB-7061 | 8/12/03 | Hammerstein, NYC | 2 | A | BOOTLEG: Guitar Boogie Shuffle; silver discs > eac |
| LB-7060 | 11/21/79 | Santa Monica, CA. | 2 | B | BOOTLEG: A Higher Calling to an Ordinary People; |
| LB-7059 | 4/22/80 | Montreal | 2 | B- | version "b"; Taper: Unidentified, Source: audio |
| LB-7058 | 7/5/98 | ROMA, ITALY | 2 | B | (gnegno & fdo series #7) - uncirculated DAT master |
| LB-7057 | 7/2/89 | Chicago, Illinois | 1 | B | legendary taper F, cut before Girl From The North |
| LB-7056 | 8/30/08 | Snowmass Village | 2 | A | source: milehigh, dpa4061 > spbb > sony sbm-1 > |
| LB-7055 | 3/2/78 | Tokyo, Japan | 2 | B+ | BOOTLEG: Tokyo Legal; Label: Godfather Records, GR |
| LB-7054 | 12/12/78 | Atlanta, Georgia | 2 | B- | ssrc; legendary taper C, ? -> analog master -> DAT |
| LB-7053 | 8/22/08 | Cincinnati | 2 | A- | incomplete; source: milehigh, dpa4061 > spbb > |
| LB-7052 | 4/30/80 | Buffalo, New York | 2 | B- | version "a"; Taper: Unidentified, Source: audio |
| LB-7051 | 4/28/80 | Albany | 2 | B- | version "b"; Taper: Unidentified, Source: audio |
| LB-7050 | 2/23/08 | Dallas | 2 | A | BOOTLEG: Electric Blues Nite Crash,; Tambourine |
| LB-7049 | 6/30/99 | New York City | 1 | B+ | version "b"; Disc 2 had bonus tracks named after |
| LB-7048 | 6/25/99 | Chula Vista | 2 | A- | version "a"; This is probably same recording as |
| LB-7047 | 3/31/95 | London, England | 2 | A | ssrc; local taper UK: A, ?? -> portable |
| LB-7046 | 2/27/08 | Mexico City, Mexico | 2 | A | BOOTLEG: From Nassau to Mexico; Tambourine Man / |
| LB-7045 | 8/28/08 | Kansas City | 2 | A | A milehigh recording, GA middle center 20 heads |
| LB-7044 | 4/15/06 | Grand Prairie, TX | 2 | A | LTA Remaster:, LB-3721 > d1t1 level fixed |
| LB-7043 | 3/15/08 | Buenos Aires | 2 | A | BOOTLEG: Full House in Buenos Aires; Tambourine |
| LB-7042 | 11/12/08 | Oshawa | 2 | B+ | krewechief; an alternate recording for those who |
| LB-7041 | 7/22/99 | Mansfield | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-7040 | 11/13/08 | Sudbury | 2 | A- | romeo; Audience recording, Neumann km140 > M-Audio |
| LB-7039 | 7/1/89 | Peoria, Illinois | 2 | B+ | legendary taper F, cut before It Ain't Me, Babe, |
| LB-7038 | 11/13/75 | New Haven | 2 | C- | JTT afternoon; misidentified as: Lowell, |
| LB-7037 | 11/18/79 | Santa Monica | 2 | A- | JTT; I assume this is LB-1819 which was also |
| LB-7036 | 11/15/08 | Kingston ON | 2 | B+ | KreweChief; source:Church Audio Cardioids>CA |
| LB-7035 | 8/9/97 | Burgettstown | 2 | B+ | Lineage unknown>received in a trade>flac fronted |
| LB-7034 | 2/17/93 | Eindhoven | 2 | A- | version "b"; aud; ?? -> portable DATrecorder - |
| LB-7033 | 3/1/99 | Las Vegas | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-7032 | 11/16/08 | Kanata | 2 | A | A SPOT recording - details of equipment unknown.; |
| LB-7031 | 11/16/08 | Kanata | 2 | A | romeo; Audience recording, Neumann km140 > M-Audio |
| LB-7030 | 11/11/08 | London | 2 | A | romeo; Audience recording, Neumann km140 > M-Audio |
| LB-7029 | 2/10/91 | London, England | 2 | A- | legendary taper J, cut before Man In The Long |
| LB-7028 | 11/19/08 | Oneonta | 2 | A | romeo; Audience recording, Neumann km140 > M-Audio |
| LB-7027 | 6/28/81 | London | 2 | A- | BOOTLEG: Ways of the Flesh; Thinman 048/49; |
| LB-7026 | 2/10/91 | London, England | 2 | A | legendary taper B, cut before Man In The Long |
| LB-7025 | 6/19/99 | Mountain View | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-7024 | 2/20/99 | Lake Placid, NY | 2 | A- | bourbon LTA remaster; Taper: Bobby Bourbon, 14th |
| LB-7023 | 7/14/00 | Minneapolis, MN | 1 | A | Soundboard,, Incomplete; LTA remaster; Soundboard |
| LB-7022 | 8/20/97 | PHIALDELPHIA, PA | 2 | B- | G2 MASTER AUDIENCE RECORDING, SONY D8 DAT |
| LB-7021 | 2/12/94 | Osaka | 2 | B | Taper: "Bach", Lineage: Sony PC-62 stereo >Sony |
| LB-7020 | 7/21/81 | Vienna, Austria | 2 | B+ | Danneberg; alternate recording, This is not LB-192 |
| LB-7019 | 2/24/99 | Amherst | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-7018 | 2/11/94 | Nagoya | 2 | B- | Taper: "Bach", Lineage: Sony PC-62 stereo >Sony |
| LB-7017 | 2/20/99 | Lake Placid | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-7016 | 11/21/08 | New York | 2 | A | romeo; Audience recording, Neumann km140 > M-Audio |
| LB-7015 | 4/19/03 | Austin | 1 | B+ | Taper: V4TX-even though he really doesn't want to |
| LB-7014 | 4/18/03 | Dallas | 2 | B+ | Taper: V4TX, DPA4061>Sony D100>CDR>EAC>FLAC, These |
| LB-7013 | 2/5/99 | Memphis | 2 | A | version "a";Taper: Unidentified, Source: audio |
| LB-7012 | 2/3/99 | New Orleans | 2 | A | version "a"; Taper: Unidentified, Source: audio |
| LB-7011 | 9/18/99 | Dallas | 2 | B+ | Taper: V4TX, Source: MASTER DAT>CDR>EAC>FLAC, Sony |
| LB-7010 | 9/15/99 | Austin | 2 | B+ | version "a"; Taper: unidentified, Source: CD audio |
| LB-7009 | 11/10/80 | San Francisco | 2 | A- | version "b"; Quality:, Very Good - Excellent |
| LB-7008 | 9/15/99 | Austin, Texas | 2 | B | Taper: Unidentified, Source: audio disks > |
| LB-7007 | 9/18/99 | Dallas | 2 | B+ | version "a" Taper: unidentified, Source: audio |
| LB-7006 | 7/14/00 | Minneapolis, MN | 1 | A | sbd inc; Phil Lesh And Friends / Bob Dylan, |
| LB-7005 | 6/23/07 | Atlantic City NJ | 2 | A | BOOTLEG: Howlin' at the Moonlight; Tambourine Man |
| LB-7004 | 6/19/96 | Frankfurt | 2 | A | legendary taper B, OKMII -> portable DATrecorder - |
| LB-7003 | 11/21/08 | New York, New York | 2 | A | source: soomlos, neumann km140's > sound devices |
| LB-7002 | 10/30/65 | Hartford, CT | 1 | B- | version "b"; & the Hawks, Master Tape-->CD-R-->My |
| LB-7001 | 11/18/08 | Montreal | 2 | B+ | Sennheiser MKE2002; Nice audience recording made |
| LB-7000 | 8/19/98 | Melbourne, Australia | 2 | B | BOOTLEG: Down Under The Lounge; Dandelion DL |
| LB-6999 | 3/29/95 | London, England | 2 | A | ssrc; local taper UK: A, cuts in audience noise, |
| LB-6998 | 10/21/04 | Santa Barbara, CA | 2 | B- | LTA Remaster, easytree 2004-11-30 by Marcel SHNs |
| LB-6997 | 7/9/00 | Noblesville, IN | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-6996 | 7/8/00 | Maryland Heights | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-6995 | 11/21/04 | Allston, MA | 2 | A | LTA Remaster; Taper: Unwanted Man Music, 3CDR |
| LB-6994 | 11/19/08 | Oneonta, NY | 2 | A | Recorded by "JF", Equipment: Sennheiser MKE 2002 |
| LB-6993 | 11/10/80 | San Francisco | 2 | A- | BOOTLEG: Ain't Slept In Three Days,; source: |
| LB-6992 | 4/19/93 | Huntsville, Alabama | 2 | A | jtt; Excellent Audience Recording, SOURCE: DAT > |
| LB-6991 | 6/7/99 | Denver, Colorado | 2 | B+ | jtt; Very Good Audience Recording, SOURCE: DAT > |
| LB-6990 | 7/17/99 | Camden, New Jersey | 2 | A- | BOOTLEG: We Hear You Knockin'; (Thinman-064/65), |
| LB-6989 | 6/23/98 | Sheffield, England | 2 | B- | JTT; Good Audience Recording, SOURCE: DAT > DAT > |
| LB-6988 | 4/6/00 | Denver, Colorado | 2 | A | version "b"; Excellent Audience Recording, SOURCE: |
| LB-6987 | 7/5/81 | NEC Birmingham, UK | 2 | B+ | BOOTLEG: War Against the Spirit; THINMAN 050/51; |